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Part 11 - Toronto to Montreal - “… to leave home is half of the Buddha’s teachings"

10/31/2017

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After a relatively short and easy gate drive through to Canada (and $5 tax from the Americans) I drive aboot in Canardah eh! It’s not the first time I’ve been to Canada, but its the first time to the eastern side… Toronto and Montreal for just a taste of both greater Canada and the French Quebec-ian feels. I get a relatively suburban Airbnb, in north Toronto, but with a car it’s ok, save a bit of $$ for other things, it’s a tidy downstairs flat with 3 rooms separately locked with a small kitchenette and a swipe lock… (Some AirBnbs are getting pretty like budget share motels these days… I was in a rush and the pickings were slim, so my Asian host I see once in the whole time I am there, it’s just a business for them… :(
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It’s a 4 hour drive to Toronto from Detroit, and after leaving at 12pm, and taking a long break at a Gas stop to do some online research and book the accom, I get in later in the evening, I drive the Gardiner Expressway right by the southern part of the city and Lake Ontario. It’s a pretty city by night. I contemplate going out, but as nothing specific came up I decide to get to the Accomodation and get settled.
Next morning I drive into the city, and head to St Laurence Markets for brunch.  Straight away I am impacted by the huge differences in society, the streets are more evenly mixed, I see every race and ethnic group in most places all the time. This is a big change from the USA, and much more like some parts/cities of Australia.  Not to mention the food, straightaway everything seems just that little more healthy, with lots of greens, and vegetable options, and not every thing is fried ha ha!  Toronto definitely has a mixed melting pot feel about it, where the whole world came to join them.  It reminds me a little of Melbourne or maybe Marseilles, being cultural places, but also having Shipping port industry that brings lots of the weird and wonderful to your door.
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The Markets don’t dissapoint and dish up amazing selections of all my favourite things, so I don’t even sit to eat, I just wander about buying small selections of things, several types of stuffed olives, stuffed cherry peppers, cheeses, dumplings, fresh farmer grapes, strawberries & fruits, juices, bite sized pastries, Chinese sweets, Arabian sweets… I think I will explode… I have to eventually have a rest on balcony outside and spy a good coffee place over the street.  I hop it over to a good coffee and wifi to check some more things around Toronto to add to my list.  I also look up Faye Blaise’s Bar “Wenona - Craft Beer Lodge”, Faye is an amazing singer songwriter I met & jammed with when she toured Australia a few years back.
I research for a few things and find a blues jam at Grossman’s Tavern a night away, but there is a ol’ style jazz band playing tonight.  It seems like a credible jam and music house.  I head off from the market area and cruise the city a bit, and then over to the trendy Bloor St area to see some other places and venues I might visit later. In the evening I head to Grossman’s to see what’s wot. It is a grimy old bar, steeped in history, and perhaps smeared with what’s left of society after all the good people go to bed. It definitely has a loose vibe, a few crazies, and burnouts hanging around for a beer. Strange how I end up in these places.. ha ha The Tav has weird locals, who ask me if I’m "OK to come in" the back door (he’s just being weird) the Aussie in me just goes along with the rattle-ment..
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Inside they play danceable 40s jazz, but it doesn’t seem like a dancer’s scene, and there is only one gal who looks like she might vaguely dance, but a friend arrives and they head off (to another gig) before I can ask her for a dance. great sets in the late arvo and evening.
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Another swing dance event happens in the Bloor st area at Dovercourt House (3 stories of dance lessons, styles and social) so I head there for the intermediate lesson, and social dancing after.  Get heaps of dances in, and more local contacts for other dancing, music things, venues, and Toronto independent culture.
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The Bee’s Knees Swing group have a pretty good turnout and there is about 150 dancers with a live band, and they sell beer once the social starts. Swing dancers mostly drink water (to stay hydrated and coordinated), so beer is a welcome respite for a muso… I have some great dances with lots of different people, and also step it up into some of the more established dancers in the group, so it’s fun and interesting for me as a foreigner in their scene. The band is really good too, well worth the $22 cover charge for lesson and band after.  After a great day and night I wander a block to the Bloor St strip to just check out late night vibes in Toronto and get a snack. Great food places along this strip, get home at 1.30am.
Next day make contact with Faye, and she is going to be at Wenona that day and night, and there is a singer/songwriter night on in their basement bar. Now this is Faye’s bar so I know the acts are going to be quality. I head there in the evening after checking out some of Toronto city during the day, and researching more music and swing dance things. Bloor St seems to be the place to be, lots of trendy cafes, bars and it has a sort of Little Korea/asian food quarter too, which has great food. It’s still a little grungey too, so not totally gentrified and retains some of it’s history and some indie music venues, so creativity hasn’t been totally blandified out of the place.
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There are 4 singers, and they are all so different, which is refreshing. There own style, very different voices, and also very different subject matters.  Mellower music is not my thing so much, but it’s still really great to see a bunch of great performers pouring there hearts into what they do.  Faye’s crew picks their performers well.  They play in the round and in conversation, so you get to hear the stories of the songs, and the performers, and sometimes the others join in singing harmonies or playing solos with them.  This format is becoming very popular at the moment, and takes me back to the session with Rich Russell in Austin (seems so long ago, but its actually only about a month previous) So much great music and people and fun times and travels in a few months.
Anyway I have the burger, chips and a beer special, and it proves that the “Beer Lodge” lives up to it’s name, great custom beers, and the chef makes a very tasty boutique burger.   I hang for a bit longer, in between the sets I have a good catch up with Faye, and we chat all things music and life and how things change. She is such a beautiful soul. I intend on heading out but end up staying until the end of the artists as it’s just so good. Whole nourish, body mind and soul, Toronto you are stroking me in all the right ways, now if only I can find and get to a good jam...
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On my list is Grossman Tavern’s Jam which happens that night, being the loose place it is I figure the jam goes late. It's a pretty chaotic jam, the house band has some skills but very weird players, that perhaps don’t match. Which makes for a stranger and creative mix.  The players waiting for a jam are the belly-scrapings from a city that’s been chewing musicians for a long time. Experienced, but perhaps also with brains that have been pushed, squashed, and moulded into a fringe culture in a large boisterous, forsaking city. Grossman’s is their hangout. I put my name up to play with whoever, it doesn’t take long.
There’s a lot of cover songs going around, but I manage to get some blues guys who can jam things around.  Some of the regulars enjoy the challenge, and we put up a couple of really varied bluesy numbers.  I also play with another guy who is like a karaoke champion, can sing well, but there is something that is just not right about his delivery. Fun things all, as it’s always good to challenge yourself to play all sorts of music with all sorts of people and still put all in to make it good. Grossman’s has hundreds of pictures of people all over the walls, like wall paper, heroes of the past, locals? musos who’ve played? perhaps just the lost history of whatever… now I am a part of that.
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Jams here are fun, but perhaps not the most fulfilling, Toronto I am sure you have more in you. Unfortunately I don’t have a lot of time to hang, play and dig around in your underground. I spent a lot of time and extra days in a lot of other earlier cities and now I am starting to feel the pinch of time running out (and money).  End of the night I’m a bit hungry, and luckily the Spading Ave strip has a few good food options open late.  I head just across the road to Canton Chilli, and get amazing seafood chilli noodle soup which is a welcome relief from some the stuff Iate late night in the USA ha ha…!  I think if it wasn’t for the Mexican’s late night food options in the USA are pretty bad(except for maybe New Orleans)
Next day I try to explore other areas of the city, and one area that keep coming up was Younge & Eglinton area which, granted was more website recommends, but after a look around it’s not much of an area.  More commercial and has cafes and shopping areas, but seems just like a regular type of area that perhaps was creative and trendy a while ago, but has been lost to commercialism.  There is also plenty of road construction going on around Toronto which makes getting around a bit hectic at times.  Toronto does seem to have a lot of large scale street art and sculpture, and seems like a fairly cultural, progressive city.
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I also have to do some housekeeping and find Yummi Cafe Laundromat, best thing! laundry, food, and wifi!  I get to some blogging, while stinkiness is washed away and get a great freshly made salad roll. It starts to get rainy in Toronto, and I feel the Autumn (Fall) coolness and upset weather starting to close in.  The idea of chasing summer is looking more appealing as the thought of enduring minus temperatures at Christmas compared to the Aussie Summer on a beach is no comparison.
I’ve checked out a few areas, and had listened to QuiQue [Chee-Qwee] Escamilla’s band online, as they sounded interesting and were playing at Cameron House in downtown Toronto on Queen St just off Spadina Ave.  The Cameron was a music venue on my list, and had been mentioned by a few musos too, so it seemed like a good reason to go see the place.  It turns out QuiQue is only playing solo (as it was a monday night) with a little accompaniment on some songs… but it was still good.  He plays Mexican style groove, world music with strong connections to his roots. Sings in Spanish some of the time and has a truly infectious character.  Tells great stories, and I found his gig even as a solo performer thoroughly engaging.
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Cameron House is exactly like the sort of music venue I will eventually open one day.  Just the right size for medium-sized touring performances, great decor, 2 rooms of different sizes for multiple preformance styles, and just a great vibe! Its situated right in the heart of the Queen West Neighbourhood, Bars, cafes, vintage clothing, and generally a funky area full of historic (read: old, not quite bought out by developers yet) buildings.
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It’s the sort of venue that is actually set up for music, great PA, adequate stage, and it's all about the music, the culture of people coming together, & things like alcohol etc are secondary to the great entertainment & people acually getting an experience out of life & socialising with people.

QuiQue brings a great feel and a friendly bunch of people to the place, and I end up chatting with a few others there, it’s here I also meet Karen McGregor with one of her friends and I end up dancing with her to some of the great music. When it was so catchy she looks to me and asks if I would like to dance to it, little did she know she probably asked the only swing dancer in the place ha ha
So she was quite surprised instead of the usual bloke dance, Karen got steps, and pull-thrus, and swung around the back, We have a spirited dance and she invites me to Kayak on Toronto Island later in the week (as I haven’t been there yet) I also work out that Scott Cook, a Canadian I know from Aus tours, is playing right here this week! so I plan to come back to this amazing venue.  If you're ever get to Toronto, make sure you get to the Cameron!
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Decide to do day things Tues, so don’t stay out too late just a midnight-ish sort of night :) plan to do the tourist thing for a day and head off to Niagara Falls for the day. The sun is out, and it’s only about an hour drive down to the border. Niagara is as impressive as you think. The area is so well developed, perhaps too well, but nothing overshadows the awesome spectacle and power of one of nature's wonders. Niagara is celebrating it’s 150th year? I stand on top of a railing to get a shot of this sign and the falls in the background (otherwise the sign blocked the Falls: Marketing fail), and while I was balanced up there and young Asian tourist hands me his camera to take a shot for him… I obliged of course ha ha!
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Niagara is simply an amazing amount of water falling down a cliff. Definitely take the time to just experience it for a while if you ever get there.  I see a lot of people rushing along the edge taking a photo and then rushing off… or worse still just driving along the road and getting a gawk from afar. Sure the parking costs money, and the tours cost money… but its not that much and the most enveloping experience for me was taking the Journey Behind the Falls Tour.  You can also take a boat cruise right up to the falls, but the Journey is only $16.75 and gets you close right beside the bottom of the falls with spray in your face (and a souvenir rain Poncho ha ha) and you get to see some of the infrastructure behind the falls, which is less spectacular than it sounds, but standing outside only metres from (peak rate, so go in spring) 6400 cubic metres (225,000 cubic feet) of water falling per second! was a pretty amazing experience. Just stayed and literally soaked it up for a while, while others came and went. Nature is pretty amazing, the amount of ions or whatever is happening there with all that broken water is invigorating.
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Sometimes really taking the time, makes earning the money all worth it… why else do we earn money? it's just a means to these ends...
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I hung around for a quite a while and took a walk further up the head waters as well, so saw it while the sun was shining, rainbows, and also when it was cloudy and forboding, the water took on a amazing deep green as the sunlight abated. If you‘re in the area it’s worth a look.  I didn’t know, but as expected the whole area attached to the Falls is one big tourist attraction, and insanely so… I never expected the streets around town to be like this:
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Sweet jeebuzzz… commerciality gone wild! I s’pose it’s good for the kids? after they have seen a wonder of nature to get some modern reality into them while forking over some of their parents cash ha ha… Frankenstein with a burger… really!??!
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Anyway after having a good laugh at Niagara town… I head back to Toronto for some music, and a catch up with my Canadian mate Scott Cook who is on tour and just by chance is playing The Cameron House (which is turning into my fav music venue in Toronto). I haven’t seen Scott in an age since his last tour to Aus, and it’s great to have a catch up. The Cameron is a great music venue with good stage, good mixing, well chosen acts, and decor and setting that evokes a real vibe for it all to happen in. Scott has a few friends guesting with him to add some flavour, and he gets the crowd involved and laughing as he has some great stories too. 
It’s not a late night, and as Scott finishes it starts to thin out, he is actually having a easy night, as he’s been on an epic tour across Canada. So I leave him to get some rest, but he recommends the Horseshoe Tavern just a few blocks over, I head over there to catch some crazy 90s inspired/via 2010s jangly punk from an unknown band? who let it rip, and blows some of the crowd away, literally…as it’s a weeknight some people retire to the front bar.. ha ha, but I stick it out for a while, and they are actually pretty good at what they do. Remind me a bit of Mark of Cain with a bit of Franz Ferdinand chucked in… (maybe a touch of At The Drive In)
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I don't mind the Horseshoe Tavern either, nicely setup and also obviously been a music venue for a really long time, like since 1947! so a Toronto stalwart within music, it's had many incarnations and nearly closed a few times, but I am glad I got to see some music at the ol’ girl, and it’s still supporting local and touring acts. In the past bands played for a week, not a night… and Stompin’ Tom recorded a live album and played for 25 nights straight.

The front bar is a long old bar filled with locals, and miscreants, and city-hangers that are diggin’ the vibes. Closed off enough that the band doesn’t disturb you but are still audible & create some ambience from original sources.
I wander the late night streets of Toronto, I am running out of days so have to limit and use my time well in each place from now on. There is so much World to see, after getting a late night hotdog at a stand just up the street from The ‘Shoe, I see this “art" in an alleyway… well I thought it was worth a pic, strange how my lighting brain works:
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Yeah it’s just garbage, but look how interesting it looks, and what's that at the end of the alleyway… ha ha

​The after midnight streets of Toronto have a rough and raucous side to them, people mill about, some crazies and drunks wander, and eat, and beg, and smile. “Ya got a smoke?” nahh sorry man, don’t smoke.

It’s interesting to see the side of societies that are remarkably similar no matter where you are in the world, no matter what culture it is, no matter what ethnicity you are.  I find it so strange that people can still obliquely right-off other people, or be “against” someone, or some race or some cause.  After travelling much in my life and seeing a lot of different things, we as humans go through a lot of the same things everywhere, and are remarkably similar creatures.
Daylight burns my eyes, and my accomodation is so adequate they’ll only be getting 3stars on AirBnb. The 5 Star rating for any of the App services has become collateral, so use them wisely. On this trip I used Bookings.com so much and actually wrote the odd review that I got upgraded to “writer” status which opened up some other priorities and specials. But there’s nothing like the truth to burn through some of the commerciality of accomodation wroughting by companies.
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I head out and do a drive around the city to see some other parts, in downtown and the Younge and Dundas Square, then the Younge and Eglinton area, to check where a music venue with a jam is. And just drive a few neighbourhoods that I wouldn’t normally go, just to see some more of Toronto. The leisurely pace I set in New Orleans, has finally caught up with me and I have to set the amount of days in each place now, a definite plan, accomodation booked in advance… it’s boring. But I now have to get at least a bit of time in each place and leave at least a week for New York (which is no where near enough, but it’s all I’ve got now. After a blaise around the city area, I head to the ferries.
Karen invited me to Toronto Island for some kayaking, and I wouldn’t have normally bothered getting out to an island, but like everything on this adventure, when an opportunity presents… I didn’t even know about Toronto Island, and it’s basically an adventure park of an island just a short ferry ride across the bay.  Think boating, nature tours, frisbee golf, and a small Coney Island rides park that is open in the Summer.  There are beaches and walks/hikes etc.
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But I totally forget that I have an American phone, and solo have been using wifi all over the place (there is free wifi everywhere) and don’t realise that the phone can’t call out to Canadians… and I can’t find any wifi on the Island, as it’s off-season and none of the businesses are open.  I find one coffee shop, but it doesn’t have wifi ha ha so I have trouble getting in contact with Karen once I am on the island. I thought it would be a small place that I could find her, but it’s actually a series of islands, with multiple roads, and small community/holiday houses and theme parks and beach places. So after a while trying to find Karen I just end up having my own adventure discovering the islands while I am searching.
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This place would definitely be a-buzz with activity in the Summer months and school holidays I am thinking. It has some lovely developed areas, waterways in between the group of islands for kayaking and rowing, and lots of adventuring opportunities. The beach is a bit rough by Australian standards, but I’m sure would be well used when there’s nice weather.
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I can’t find Karen, which is rather unfortunate, but sometimes this is the pain you have to suffer on loopy adventures. I’ve had a great look around the islands, and so decide to head back to the City on the 4.20pm ferry, I’ve been cruising around for 3 hours, finding some amazing places and sights but it’s time blow with the cool island winds.

I have a date with a blues/jazz jam tonight and have to get back to the city, life and music. The ferry though, does offer an amazing view of Toronto city, and me and a few other tourists soak up the view as is slowly approaches.
I totally forget to this point that I have another friend Renata, who I lived in share house in Sydney way back in the early 2000s, while she was over from Toronto doing her Masters I think with an Australian University. I message her on Facebook and line up a meet up at Faye’s bar on Bloor St which is just down the road from where Renata lives now. We have a great catch up, filling in what has happened in the last 15 years… ha ha It’s always fun to reconnect with people who were fun positive people in your life, especially in person on the other side of the world!
After some food, I get to Alley Catz, a Jazz bar in a laneway, online it looks like a small affair, but it’s a Tardis, and is quite big on the inside. It turns out to be a fairly low key jam, I don’t think they usually get many jammers here and it’s mostly a bunch of old white fellas doing standards-y blues. I know some of the songs, and they are thankful for a bassplayer as they don’t have one yet, and the keyboard player has been filling in the low-end gaps.  It’s a fun jam and there is one or 2 players I recognise from jams and gigs a few days ago. It’s not really a challenging jam, and has its moments here and there, but there is a lot of regular stuff as well. Chicago set a very high bar, and I don’t think I have discovered enough in Toronto as I have only had very limited days here, 5 nights… this is my last night.
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There is still lots of Halloween stuff going on, and the stage is suitably adorned.  The drummer isn’t that good, and it’s hard to connect with her. But the jam lumps along.

​It’s a slow down to slink out of town, but Toronto has definitely piqued my interest, and if I ever end up back this way I would love to spend more time here.

I love the multicultural aspects of Cananda, in ways it’s very similar to Australia, but it also has some differences.  Everyone is very friendly, but I find I am rushing around and also I think I am gradually tiring and my energy levels are pushing me to just do more touristy things, as I am losing the capacity to be fully engaged, 100% of the time.
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Next day I leave without a hurrah, and just head out of town, onto French Quebec, and Montreal… I study up my French greetings and salutations, and try to refresh what I remember from France some 10 years ago… late Fall (Autumn) has definitely set in and it’s getting cold!
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I do a gas/petrol stop and get a bite to eat, even the roadhouses in Canada have healthy options. I use the free wifi to research some music, jams and swing dancing in Montreal. There are a few options, and Montreal strikes me as a creative place, as many people have said along the way.  I photograph a few addresses and events, and head on into Montreal, start to hear the French language and accents, & I wonder will I be able to cope with a language barrier again (it’s been a while)
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I pick an AirBnb on the city fringes, seems like a creative area, and it’s with an artist in a tidy, sparse apartment. I also message my one of my only Montreal friends, Anique who I worked with in Western Sydney at a Cultural organisation.  She moved to Montreal to follow creative pursuits.  I had been following some of her exploits, but had noticed a recent post was from Europe.  She messages me back and gives me a list of places to see, and things to do in Montreal, but sadly it’s true, and she has had visa problems and is now in Belgium and Germany.
Anyway I book the AirBnb, but won’t be arriving when Adriana my host will be there, so she just leaves a key in a spot for me.  I must have a good rating on AirBnB (I do, I have glowing reviews ha ha) as hosts are quite ok with trusting me and making arrangements that work. I get to Montreal and do a drive around the city, it’s raining and gloomy. The Fall has definitely set in. I check out a the city, it is smallish, about 1.7 million people, so about the size of Brisbane in Australia. Big enough for city things, but small enough to retain some friendly country town vibe.
Montreal has a very arty and european feel to it, lots of street art, large scale sculptures, and what seems like a very supportive govt/legislative arena for creatives to survive. There is also a lot of construction going on around too.  I drive around the city area, and it has a lot more grey stone historic buildings that have survived through time, several areas of older buildings or at least facades that maintain a more historic feel to the city. After getting settled in I doing a touch of cruising around the city areas to get a feel for it, I head off on the first night to get to jam that’s happening that night, at Smoke Meat Pete’s, there are no other jams that I can find easily so way out in the L’lle Perrot 30mins in the western suburbs of Montreal.  It’s as equally quirky & rambuncious as it’s name, but I find a great little jam with some cool folks.
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It’s the week of All Hollows Eve, so everything is suitably attired including the bar. It has a small stage, and a tight table setup for the audience to eat and watch. I chuck my bass up near the stage and head to the bar.  I chat to a few folks, and in the next song break chat to the singer about jamming, they note me as a bass player and it’s seems fairly informal.  I don’t think they get too many jammers this far out. But there’s a few, and after a couple of songs they try me out. I get on stage with 5 others and play.  It’s a fun jam, a smattering of different style players young and old, but the level is consistent, and I have a good connection immediately with the drummer Lance Delisle.  Mike Sanders runs the jam but I only get to jam with him a bit later in the night.
There are a small but appreciative crowd, but they definitely seem to be music people, so it’s a great environment for playing and watching.  I have a couple of good blues songs, and some then they play a selection of other songs, Mike also play the flute so that allows for other flavours to creep in.  The keys player is good, but seems to not really listen to anyone else, and eventually gets bounced out of the jam by Mike. I eventually meet also Lauren Rand, and have a really good chat about music and the scene. Blues people every where are always so friendly and it’s a community you can just dive right into. 
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I wasn’t sure how french-speaking the region would be, but of course its fairly evenly divided, and pretty much everyone speaks english as well, so my few french greetings and thankyous are appreciated but definitely not needed. It actually surprises me how many people in Quebec use english as their native tongue.

​It’s a fun night and as it winds down I get a few more tips for other places, jams and things to see and do to add to my list. I head back into Montreal city, and surf the waves of streetlights, highways and buildings, it’s rained, I’ve always preferred the noir-ish vibe of a rain-soaked nighttime city. I realise how tired I am at this moment, & how low my overall energy levels are after 3 months of intense interaction, travels & music.
In the morning I finally meet my host, Adriana, a wonderful movement and performance artist, and creative soul who jumped out on a pretty average list of AirBnB hosts, hence why I picked her place. We chat cordially over a coffee, nice to finally meet after already being at her place for 16hrs. Interesting chats about the arts & theatre, and then it hits… Adriana says that I will be continuing the Australian tradition in that room, & the previous occupant has just left. for. Belgium!! you should have seen my face, and see it on her face. I say cutting her off “Anique?!”.. ha ha she starts with approval “YES?!”. So it turns out I am living in my friend's, who I’ve just been messaging about Montreal's, room! we have a great further chat and get wigged-out by the connection and the coincidence. But it’s great and puts us both further at ease.
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After a nice mid-morning brekky, I do a little more online research to search out fun things in Montreal.  I head to the St Laurent Boulevard area to check out Anique’s suggestions of a few music venues, all the cafes, trendy culture and street watching I can do to see what Montreal hipsters are about. It's a great area to introduce me to the side-show. I check Casa Del Popolo, it’s a great cafe in 1 half, and a small music venue in the other side, there’s some musos sound checking, and I chat with the sound guy he tells me it’s going to be a great night, which is rare for a sound guy to say, so I tell him I will see him later.  I have a coffee in the other side, check the computer, but use it as cover to check out the varying scene in the cafe. 
There is an artist behind me sketching the room,  2 couples chatting - one set very lovingly, a hipster sitting by himself at the front of the bar, and a group near the window.  It does seem like a place I could make my local. Not commercial at all, the people all seem laid back and its a very comfortable  environment to just while away some time.  I end up having a beer, and the bar people are friendly and alternate. I head down the street to catch some more street vibe and eventually to get some dinner.  There are way too may options for all types and levels of food on this strip.
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I walk almost all the way to the city and back just for fun, and interest! but end up back close to Popolo at Robin Des Bois, which sort of looks good, but it’s a bit bright, but something makes me go in. It feels a bit swankier than I would usually go to, but its reasonably priced so I order Poutine, Soba Noodle Greens and a Bloody Mary.. ha ha eating solo is always fraught in a restaurant full of birthdays, happy couples and best friends having a catch up…so you may as well order something weird. It’s actually pretty delicious, and I end up having a chat with the bar gal and the owner/concierge, as I seem a bit out of place.  He asks if I know about the place, and I knew there was a reason it called me in.  
Robin Des Bois is run by volunteers, not-for-profit and in their words: "The community: at once our motivation and our inspiration. It is staffed, for the most part, by volunteers, and all the profits made by the restaurant and through the sale of merchandise are redistributed to local charities working directly within the community to ward off solitude, social isolation and poverty.” So the whole place is geared from great food, to help people… I like that… Better still, after I pay my check & tip, the Concierge shows me the Salle de De’foulement, which is this small storage area in the front window that they didn’t really know what to do with (broom cupboard?).. so they made it into a Deflow Room.  
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All of their chipped crockery goes into there, and you can write your gripes for the day, week, life on it… and let go of them right into the wall, smash the absolute shit out of them… ha ha After you don the safety jacket and goggles… haha  I didn’t have any gripes, and right at that time have been having an amazing trip so far, so didn’t have anything to let loose. I love that they have this room.

​I head back down the street to Casa De Popolo to check out some music… Popolo’s crowd has changed a bit, and I head into the music room, there is a strange duo playing some extremely bent music. 2 dudes in Fez hats making wacky sounds to retro projections over them and the entire stage area.
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I get a drink and head straight down the front, it’s pretty bizarre, but I have known many crazy musicians who have done experimental music, and boundary pushing. If nothing else they are always passionate about what they are doing.

​Next up is a younger band playing jangly 60s inspired pop/rock via 2017. First song I ho-hum it, but give them a chance, and once they get warmed up they aren’t half bad. It’s definitely got a quirky edge to it.  It makes wonder what sort of band the headliner is going to be.
The crowd is such a weird mixed crowd, completely young hipsters, goths, then middle aged people, some old rocker types,  I think that this venue must have some crazy spirit to bring such a diverse crowd.  I have a quick chat with the soundy again, but he’s busy, and then chat to a middle aged couple, who explain that this is a comeback/re-union gig of the headline band who were a big local/small national band 20 years ago… hence the mixed crowd.  New young kids interested in the music and younger support band followers, rockers from back in the day, and family and friends.
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It’s a great atmosphere and it was a good night. So weird to be in the crowd but not knowing anything about any of the bands or the history, but being able to witness those years of joy and admiration all in one room. Crazy times!

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The headliners pound through some much more rock n roll type stuff. A bit 80s sounding alternate rocky stuff (which usually means 90s Canadian, as they are a decade behind when it comes to music ha ha). And they also get the original female keboardist up for some songs which really sends it into 80s sounding alternate rock with cheesy keyboard sounds. It’s glorious in all of its unpretentiousness, just playing what they love. I hang until the end, head out to the streets. 
Montreal has a wonderful non-city vibe to it.  It’s big but doesn’t feel totally ​overbearing in itself, like Chicago or Sydney say… just a nice feeling place with lots of friendly, creative stuff going on.

The streets have masses of street art and graffiti. Some just in random places, lots of wall art covering blank space, carpark walls, this is a loading dock that I liked.  The monochrome was just cool under its flouro emergency lights

Of course these are mostly just phone pics so they never do justice to what you see, nothing like your own eyes, & brain to experience things.
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One small thing about the language barrier…after getting back late I park in the street, but don’t notice or read properly the street signs that I need to translate, so in the morning get a parking ticket for being parked when the one hour of the week they are doing street cleaning in the area… drivers in Montreal beware! which is quite obvious when you look at it, but not really when you’re a non-french speaker getting home tired in the middle of the night, and there are multiple street signs for the one area… :( sheesh… goodbye $64 Canadian dollar ha ha, the joys of travel, its the subtle differences that make it all the more special.
It’s gonna be a huge night, so I have a late morning, rest up, finally get out of the house after lunch.  But rightly so, check out some more of the city, and know that tonight is the ZOMBIE WALK in Montreal so I figure it will be big, and then there is the CAT’s CORNER LINDY HOP EXCHANGE (which is a huge swing dance festival!) so its gonna be a late one.
Online the Zombie Walk looks like its gonna be huge! the whole city is celebrating it! For the uninitiated, zombie apocalypse culture has risen to such a thing that now there is a "Zombie Walk” in most cities.

​Where enthusiasts dress up, prosthetic up, costume up, bloody up, whatever and walk through the city like zombies. In the beginning it was a random bunch of people scaring the shit out people as suddenly there is a horde of zombies coming towards you, down your local streets.
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But now it’s become a more commercialised things, and have gotten more involved and whole cities are putting on festival like versions. Montreal went all out and seems to be a full council festival. The main part of the city has screens everywhere a big stage, bands playing, faux-derelicte street furniture including fire bins (with safety rims) and smoke machines every where… its hilarious. And it’s really packed but with normal people who’ve just come for a look.
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But in a way it’s sort of ruined the effect of it all, as now there is about 50,000 more people than the maybe what seems like a couple of hundred zombies… which I think I have missed it as I can’t see any zombies anywhere, but eventually a small path is opened up through the crowd by security, and a handful of zombies stroll through a barrage of gawkers, phone cameras, Dslr cameras, video cameras, so it sort of becomes a bit of a farce.
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There are some really good zombies, with amazing prosthetics, then some good enthusiast jobs, then some crazy clown zombies, party hire costume jobs, some people with fake blood just smeared on them, and some other drunk efforts. And there seems to be ever so slightly gothic bands, but more commercially picked for a big stage etc… so the music is all quite bland,  big screens pipe the stage view all over the square area and other blocked off street areas. It’s a massive undertaking, by far the hugest I have seen compared to 80 people walking around Canberra - city a year or two ago (which I also came across randomly).  
But in some ways that was more effective, as people didn't know it was happening, and looked up from there paper or coffee on the street and there was 80 chaotic zombies in front of them. ​Some people genuinely were startled or frightened, others clapped, some laughed. But it seemed more like the ethos of it because it was in public, unexpected. Anyway Montreal put on a show, and it was good! It was good to see mainstream culture embracing some fringe in their lives, even if it was a bit overproduced, was a great night out for the kids ha ha!
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This is the ridiculous stage area, with fairly commercial bands. Free event, so I’m not sure how they fund things like this… the safety garbage bin fires were cool though.

I did love the cowboy Zombie who was arguing with Gender Bender… ha ha <---
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I head back, after some commercialism of fringe culture, through the city and to the edge of the city to where St Laurent Boulevarde.  There is some great street art in this city.
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I drive the strip, and it’s impossible to find a park near to where I need to be, its Friday night in the cafe/restaurant area… arrrhhhggg! I eventually find a semi-legal spot a few blocks away around a corner in a one way street. Good to see city parking & driving are the same everywhere, & after living in Sydney for 8 years, all the same tricks hold you well in any city.
But I am here to dance, the Cat’s Corner Lindy Exchange is on, an annual Swing Dance for one of the troupes that teach in Montreal! how lucky to be in town on just that weekend. I’m in pretty good form, as I had just been to a few lessons in Toronto, and have danced a lot in almost all of the cities that I have travelled to.  But for some reason Montreal holds an air of mystery, that extra language barrier, everyone in this Lindy exchange seems like an expert dancer… ha ha I take it easy at the start to see the lay of the land.  There is a big room, and a small room, both have live jazz bands. I also have absolutely no contacts here, so just randomly show up, solo.  But I soon make a couple of hellos, acquaintances, travel stories, and a few dances.
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The first dance I have is awkward, getting used to new areas is always just a slight adjustment, as each city (re: teachers) have their way of dancing, so if you are some random from across the world, and also have been learning steps/style from all the cities you have travelled to, you don’t usually fit the local establishment exactly.  It’s been really fun actually having swing dancing as a side adventure alongside music on this journey. You get to meet a totally different subculture of a city/town.  Also you think it’s “Swing Dancing”, but New Orleans, Louisianna do it differently, say to Austin, Texas… and Montreal also have a different thing to say Chicago, or Melbourne…  The Basic/Foundation steps are usually all the same, but like a lot of things in life, the subtitles are what make it interesting. Dancing is a lot like jamming in music, it takes an intuitive and responsive person to have a great dance. If they try to force you into a way of dancing, ultimately you have an “awkward” dance. Now this may because they are a limited dancer, or they have an inflexible personality, the song is the wrong tempo for them or maybe they are just nervous. And all the same applies to you as well. But sometimes you just find those people that you gel with, and listen and feel, and the music the band playing is just the right song, and then dancing is the most magical thing in the world. It’s all about being absolutely present in that moment, especially in Swing, where there are moves, but the composition of the dance over time is completely ad-libbed by the partners in the moment, reacting to the song. It’s amazing and intimate when both people are present and enjoying it. 
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I gradually work my way into a few dances, and get back from the brink of the first awkward one, and have a couple of really great ones, and one really delicious slow dance. You also get to interact with many age groups if you’re not biased. The dance community have also become a very safe environment for interaction.  All groups and events that I have been too have a Code of Conduct policy too, and don’t tolerate sexual harrassment etc it’s just a dance.  There is nothing more to it, than just a dance.  You can dance with the same person again if you want to and they want to, you can go and only dance with your partner (if you have a dancing one), and you can feel free to refuse dances, which everyone in the community expects and respects, not everyone is going to say yes everytime, or they might be tired from just dancing the fastest dance ever, or maybe they are waiting for someone they want to dance with, or maybe the tempo of the song is wrong for them.  It’s actually very freeing, especially as a traveller to just have a 3.5min interaction with someone where virtually no words are exchanged, but you discover lots about someone without even talking, and that might be all you do with them all night. Of course some people you end up chatting with all night as well, and make new friends for life. Some people you might end up dancing with many times, as they are the fun-est person ever, and they like dancing with you too.
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Now Lindy Exchanges are slightly different to a Dance event, in that they go for 2 to 5 days, they encourage people from other areas, they usually have masterclasses in the daytimes with guest teachers, and at the big event nights they sometime have dance demos by the local troupes, and crazy dances, like this one where the partners were blindfolded while they dance and didn’t know who their partner is. Other common ones are Jack & Jill, where you enter a competition dance-off, but get randomly paired with your partner.  Other fun ones are Snowball, where a small group start in the middle and every time the host calls “Snowball” all of those partners have to split & grab someone from the side a get them on the dance floor, until absolutely everyone is on the dance floor.
Dancing, esp Swing dancing is also energetic, so for me it’s creative and exercise… ask me if I like to jog…. bamp-bow!  I end up staying really late, Swing dancers like to party, and I end up in the small room with a great jazz band, a few great dances, and one with a gal I wanted to dance with all night, probably a little above my level of skill, but hey you don’t get better by dancing with people who are worse than you right!  As the night winds down, I roll out the door at like 3.30/4am or something… ha ha Swingsters how I love you...
I, of course have a late start next morning… but finally get to saunter down to the corner community cafe, La Place Commune,  just near Adriana’s place. It’s a very laid back cafe, a few arty types having brunch, one production meeting going on, one dad & his kids, and 2 guys painting or drawing across the other side. They have music there, and it’s a very friendly, creative space. I get some food and coffee, and find that they are a not-for-profit co-op, run for the local community. It just seems like an amazing little space, & I'm glad I'm supporting them with my patronage, rather than some fast food joint or franchise.
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After a while blogging, and eating, I notice one of the guys drawing is looking at me, I look at him and his face is familiar, but I go “I don’t know anyone in Montreal?” we have a chat across the room, and then I go over when I get another coffee.  It turns out he was the sound guy at the Popolo gig, and recognised me. We have a great chat about the gig, then the music scene in general in Montreal, and they seem to be going through the same stuff all musicians are going through.  But he runs a radio show, and a record label/co-op, and I dig some underground Montreal dirt out of him. I also fill him in on the Australian independent music scene, as he doesn’t really know anything about it, and is very interested to find out that we deal with very similar things, albeit with some slight differences.
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It seems like the mission of the place has been fulfilled, as lots of people just meet up here and eat and have meetings, and do art, and listen to music, and the kitchen also seems like a locally sourced, locally run affair with really friendly staff. The food is great too.
It’s my last night in Montreal :( so I try to find a jam to end on, and it's a Saturday so it's not a jam-ish night… but there is an acoustic Open Mic, BoOO! and I find one other that has drums and amps supplied. I head over to Bar De Courcelle in the Saint Henri area of just south of Montreal CBD along the river.  It’s a low key neighbourhood bar, and pretty quite when I arrive, but I am slightly early, have some food and a beer.  Soon they setup a drum kit and backline, and the PA, and a few more musos shlep in and sign up.  It turns out to be a more solo/singer songwriter night, as not many people seem applicable to jam… but eventually I get a run as a drummer ha ha, I can drum, especially to simple singer songwriter stuff and blues and cover songs. So that is fun and unexpected.  There are some pretty talented singers and players at this jam, and some totally wacky ones as well.
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That’s sometimes the best aspect of seeing raw, unfiltered music and performers. How anyone can just interpret what music is and do it.  The host Bud Rice is pretty good too, Bud has an excellent right hand, with good strumming, muting and subtlety.. but it’s typical Canadian music, always a bit rocky, and straight and comes off sounding like an unplugged version of Nickleback or Creed. Usually great performers, but guitarist/singers always amuse me as a bass player.  
Mostly spent a lot of time on lyrics and melody skills in vocals and guitar-ing… but forget about rhythm. ha ha It’s still good, and then sometimes you find singers with really great tone and timbre to their voices too. Always nice when their voice can grab you with just it’s quality. He accompanies the host for next week, who belts out a tune or two.  These other crazy gothic cowboys also play some pretty cool, dark country sounding stuff.  Other singers are completely weird, hilarious, not-sure-if they-are-serious-type bedroom heroes singing Johnny Cash etc. But I admire anyone who can get out and up in front of people and play their music, that takes guts in itself, and a lot of people can’t even do that.
It’s not a late night, midnight-ish, and a bit of light end to Montreal, I have probably missed some of the best of it, somewhere in this city, but there is only so much you can do in 4 nights, 5 days. What was supposed to be a full week at least in each city, but the days are getting short and I added a lot of days to places in the trip, and I am trying to save at least 6 days for New York.

I head out of Montreal, Canada you’ve been a blast, big things, some small things, some tourist things, a mix of meeting people, & dancing & jamming.  I feel I am getting a good smattering of levels/interaction with each city.
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I can feel the intensity of this much solo traveling is weighing in, after 3 months of this level of interaction every day. Sometimes in a moment you can feel the haggard nature of the psyche trying to make the body and brain keeping on...
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Sometimes the hours driving in the car are my meditation, where I don’t have to be interactive with anyone or use my brain.  You just get a few hours of doing nothing and sitting quietly with only the white line fever hypnotically bringing more natural sights, sounds and smells, like an ever-changing screen saver washing over your conciousness. Alert but drifting.
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Until eventually you run into the USA border and a gruff guard, is demanding your ID, and gets alarmed that you’ve been travelling longer than 90 days! (who does that right?!?!) ha ha he gets quite present and his security face comes on… but I direct him to my 5 year B1/B2 visa to the USA, and suddenly a wash of friendliness comes over his face and I turn back into a warm Aussie to him.  Hello USA again, hello Vermont! This is Bernie territory.  The Fall has definitely set in and Vermont IS beautiful this time of year, just like they say in the movies. Only just over a week before it’s all over, I’m soaking it all up. I’m heading to New York, but doing a side trip just for a day or 2 to Boston on the way to see a musical acquaintance.
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Part 10 - Detroit - “The Blues doesn’t care about you, you’ve got to care about the Blues"

10/20/2017

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After my drive out of Chicago, I cruise the edge of Lake Michigan on the i94, I’m not really in a hurry.  So when the opportunity to pull off for some dinner and a quick view around some other areas, I get into a sunset over the lake at Stevensville in Michigan. The drift of time is catching up with me, but that is no excuse to not smell some roses when being a solo traveller allows the privilege of choices. Circle through the town to a couple of areas that front the lake, but unlike Australia where most beaches. rivers and lakes all have public shores… this area seems to be more like privately owned.  The first spot is just houses in a tree’d area, but I stop and bush bash my way though some trees and a track to where it opens to a mavelous view of the sandy lake shore. 
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I’m half expecting someone to shiffle in from one of the houses to tell me to move along, but no-one appears.  I take a moment to watch the sun sink ever closer to the water.  It looks more like an ocean from horizon to horizon...

I head back into Stevensville for some food and a gas stop.
I can’t help but find another place to view the water while I am eating, and find another small park with a raised wooden viewing area, but NO access to the beach-y/water… (in a private housing area, this is very strange for an Australian).  I guess access to sand or water between your toes is for some people?...

It’s still about 3 hours drive to Detroit so I better get moving.  I have tended to now spend the last days doing things and driving in the late arvo into the evening.  I found a good AirBnB on the northside of Detroit, not too far from the city, but in various stages of setup, so it’s a bit cheaper.
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Have a good online chat with the owners, and organise to arrive late,  I follow the GPS into Detroit, bypassing Kalamazoo, Battle Creek and Jackson all of which sound great, and Ann Arbour which I have heard of. But it’s dark by then and can’t site-see anything, and this is a music trip so I h​ung-it to Detroit. Drive in and it’s getting later, Detroit brings up the thoughts of a ghetto-city, dangerous, poor, lost place where everyone else in other USA cities have said “WHY are you going there?, There is nothing to see, DON’T go there…” so many different voices were ringing in my ears, let alone what I know from the news and TV.
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But honestly, what do people know…? Most of the time I would ask people from other parts of the USA straight away, “so you’ve been there?” and they’d reply “Oh NO, I would never go there…”.  So I’m always one to form my own first-hand opinions, no matter how fraught the path may seem. So here I am driving into Detroit at 11pm at night… first time I’ve ever been in the joint. I do get that feeling in my gut, “keep your eyes open, son” my brain is saying, but my heart is less worried. I drive towards the city, it looks glittery and happy, the highways are wide and good. But as I get to the city things get more run down, and as the details come into focus they prove to be less shiny.
I make it to Basecamp, my AirBnb, a old nursing home or Nunnery which is being slowly converted into a Bed & Breakfast/AirBnB/Hostel.  Alex and Jenny have completed a rough hostel room, and a few nice private rooms. I booked in one of these as it is still pretty cheap, as they are still renovating the building and parts of it are still a building site.  But I don’t mind they are passionate people with a vision, just the type I respond too and like to support. I get in late at night, but everything works out fine and the room is very comfortable (the mattress is exceptionally soft and brand new). I get up in the morning and head down to the large kitchen, have a coffee with the hosts and the 5 backpacker-types who I gather are staying as worker/accomodated people.
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I have a good chat with Alex and Jenny about their place, Detroit, and the world with them and all the occupants of the stay. They all seem like interesting people. But this is a musical trip so it’s time to get into the obvious stuff and work my way downwards from there.
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I go to the main historic music recording studio that Detroit is known for, Hitsville USA where the Motown groove was invented, perfected and sold…All of Marvin Gaye, Martha & the Vandellas, Stevie Wonder, The Supremes, The Four Tops, The Isley Brothers, The Temptations, Smokey Robinson, Gladys Knight, The Jackson 5, and Diana Ross got their start here.  The originators of the studio Berry and Ester Gordy perfected the art of making hopeful, pleasant music from the rebellious rock n roll of the 50s and 60s.  Black hopeful groove mixed with white sentimentality. A mix that would change the face of music, and as the studio name suggests net them 180+ number one hits worldwide.
But for me, I have loved some of the music, and the hype is never that interesting, it’s more of the what and how it got there and seeing the process of what made it happen. This is the humble studio where so many of the early hits came from. The original studio at Hitsville is simply a well audio-treated garage. The original set up on just one of the houses in the neighbourhood, and then Berry quickly bought up the houses next door(8 houses total) to expand the operation once they had success. The difference with Motown compared to other music breakthroughs in this era was they worked their artists, & spent time on presentation in the age of the dawn of television. Hitsville knew & exploited the power of making their artists personae rather than just the music.  This rings true right through to today.
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Detroit today shows a lot of evidence of these rags to riches, American dream, boom or bust, everything or nothing.  The Hitsville Museum sits in the new centre of West Grand Boulevard, a leafy double wide street, near the Hospital. But as pleasant as it sounds some of that neighbourhood is run down, there are the disparate terms on which Detroitians live. On hope boulevard where the billion dollar Motown industry is founded, today people 1 block down are selling their clothes on a street market, a homeless guy walks up to me and asks for money. I don’t give him any. 
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I made a pact with myself a long time ago. I don’t give money to beggars, as harsh as that sounds, as a musician & creative I have struggled through on the edges of a standard life, and also worked very hard at times to have the means to do these things I do. It makes it very hard for me to just hand cash away, because if I do that to everyone who is in need, I end up without the ability to do anything musical/creative & to experience and soak up stories from all over the place. That being said, I have given away food, donated much time to good causes and worked on volunteer projects for organisations, and spent a lot of time working for corporate things (that I hated), so I would have the means to be able to spend time working on other care projects without a budget.
Detroit was a haven, and then a underground network for slaves to leave into Canada.  The irony of this history through current times is not lost on me. A lot of people have a one-eyed view of Detroit, and in some ways there are some truths to the hype. It does still have run down areas and neighbourhoods that feel a bit edgy. You can have a burnt out house next to a run-down house, next to a renovated house. There are still run-down neighbourhoods, but there are also renewing neighbourhoods, and lots of community creative things happening around too.
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Out of all the US cities that I visited though, it felt like the only city that was in an upswing. It has already had its lows, layed in its own vomit in the gutters of bankrupted industry and stared into its own abyss. Since the lows of the 80s and 90s it’s hit a renewal of creativity and an explosion of some sort of grass-roots community renewal.  Perhaps the “swamp” thought it so unprofitable that it was abandoned rather than drained, and all that was left were the people who rolled their sleeves up, and the arrival of people now with hope of a cheap new start.  Detroit still has its problems, but the vibe from the people I met, and the musos, creatives and punters I met in dive bars all over the city was a good sense, dare I even say hopeful sense of where this phoenix has to rise.  It’s got plenty of grittiness and a-ways-to-go, but compared to a lot of other big cities that I visited (which were stayed and stagnant and established) Detroit seemed like it was ready for change, and was doing something about it, no matter how small or big.
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Another thing that gets me about Detroit after I see it in the daylight for the first time, in my mind Detroit was this crowded, closed in industrial city, with a claustraphobic dark cityscape, where it only rained… (the thing of movies).  But like this centre of the city picture, Detroit is almost the complete opposite of that, spread out, wide boulevard streets lined with trees, sunny warm days, plenty of grassed area, just a bit of high rise in the CBD, but most of the city is single/double story buildings… perhaps it’s just the days that I arrive, but totally not the feel for the city I expected.  After a bit of a musical tour, I head into the CBD and have a walk around, see the sights, check all the newly added art and beautification remodelling for some 100 year celebrations. The centre of the city is being transformed into a pedestrian haven with alfresco living.
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I check out the Detroit River, some of the surrounds, some city monuments, get a snack. The city feels inexpensive, relative to other big cities, its reputation has kept the price of living reasonable.  I do a walk around more of the city, and there is a lot of public arty things being setup, for city markets and city invigoration. Some of the one strip is big town retail, brand new buildings, but I wonder who will be buying. After a good hour or 2 of just drifting around the city its getting later, so I look for a spot to hang for a moment, after walking a few places, then I find a small dive bar that looks more my style.
The Bathtub Pub is just a single width terrace, graffitti on the walls, a little grimy but has a nice feel to it, I am the only customer in there at 4:45pm, so I say hello to the bartender, Keon, he is friendly and speaks with a thick Detroit accent and slang that I have to concentrate to understand him, this is my sort of bar.  After a beer, Keon talks me into $4 spicy chicken wings and chips, who can say no to $4 spicy wings! he hand cuts his chips, and makes the spice, they are delicious. It seems like Bathtub is not the first choice of a lot of Detroitians, but eventually a few more business people and randoms wander in. Keon introduces me to another hip hop mate who comes in, everyone who comes in gets to sign the walls. 
I head down to Monroe st in the City to a bar listed on the Detroit Blues Society’s(DBS) page where there is a Blues Jam.  But after getting there and having some food, and a beer I chat to the bartender and he says the jam has moved to thurs night. Doh!… but I find another jam on DBS page at Pub Froggy, it’s way out in the suburbs, but hey I know that any jamming is better than none, and these things always lead to more connections and jams and fun! so I head there on my second night in Detroit. It’s a medium-sized neighbourhood bar, with a small on-the-floor band space.  There’s a lot of muso-ish people in the place, and good number of older blues-ish folk.
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It’s low key, so I walk to the side of stage and stow my bass, ask if there is a list, there isn't one really… I go to the bar and get a beer from the friendly and cheeky bar-lady and a pencil to put my name on the paper. The house band cracks into some blues, I hang at the side, and then the back, but once start chatting, as everyone recognises me as not local, I gradually talk to Tosha Owens who is the singer in the house band and also Jane Cassisi who is part of the Detroit Blues Society organising committee. I let them know I’m here to play and that I play blues, but also funk, groove, ska, reggae etc.
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A couple of other jams happen, but I get chucked up pretty quickly with Martin Chaparro and the young Brendan Linsley. Martin does others styles, so he throws in some groove latin styled originals that we can jam on, fantastic fun jam, and it’s here where I meet the infamous drummer David A Watson. He’s a wild card! We get to musically-communicating onstage straight away, we all lay down some fun grooves! The crowd approves and we end up with a dancefloor full of revellers. I get a few other jams in, which is more bluesy after a few other duos and blues jams, and me and drummer David are getting along like old mates already! as we are playing another older wisen, shaman-like blues guy in a headband gets up with us, and plays with style and depth.
We have some great blues jams, and it rolls around wonderfully with a few different players. I shake the shamans hand… we have a small chat.  I later find out from the other players over a beer that he is JC “Billy" Davis, who played with Hank Ballard & the Midnighters in the 50s and 60s, and later with Jackie Wilson and Martha Reeves & the Vandellas, and touring with Sam & Dave in the 80s.  But it was in the early days that Billy played a tour to Seattle in ’59 where the young Jimi Hendrix hassled to see Billy & learn some guitar licks.  Jimi took Billy to meet his dad. It’s pretty crazy to meet guys like this in jams.
I make a great connection with the local musos here, Tosha Owens is great powerful singer, David A Watson is one of the loosest, fun drummers I have met, and Martin and Brenden are jovial, versatile, working musos who I end up jamming with more in Detroit. Pub Froggy sounded like a very unlikely jam… but it turns out it’s a wonderful and well supported local jam, and I have another great chat with Jane and the others about other jams happening in Detroit that week. Seems like a poppin’ local scene!
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One of the other things that I had know about Detroit was the art scene on the rise, and a project I had found about 8 years ago, so I head out to find The Heidelberg Project. By artist Tyree Guyton, I saw an art story on his urban renewal project, of building art in his destroyed neighbourhoods in the suburbs of Northern Detroit.  Paint dots on a his house (the famed Dotty House) and reclaiming and tidying abandoned houses and dirty empty blocks.

It’s here, at the Hiedelberg blocks onsite of the entire neighbourhood installation, that I meet the wonderful Stacy Risner. She works with the Project and just happened to be sitting in the info booth onsite that day! We have great long chats about the project and art in Detroit.
Stacy gives me a few tips and a contact for local art projects! and a Sticker Trade Market over the other side of town happening later that day. I give her a blues jam that I am going to at the Blue Goose Hotel northside on Thurs night.
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It’s SO great to be standing in an art project that I saw on an art show on TV about 8 years previous.  Tyree has been working on the project since the mid 80s, and it hasn’t always been smooth sailing.  The council has been both ways on the project and have nearly shut it down twice in it’s history, but it project has managed, and stayed, and now employs a few people and as with people who stick at things for the right reasons, Tyree has become a world renown artist.
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After a reaally long and beautiful chat with Stacy, she let’s me know that Tyree is actually here today, he likes to keep it low key, he is tending a few pieces and after wandering around I briefly say hello and shake his hand, and let him know that I’m from Australia and have followed his project for 8yrs and it’s pretty amazing to be standing here in it. We have a brief chat and I leave him to his work.
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After a long lunchtime in the artistic sun, I head across town to where Stacy said the Sticker Meet was on… at the Lincoln Street Art Park, I find a big warehouse with artist stuff, and art studios inside, and things in various states of being built (much like the old Mekanarky Art Space in Sydney), but even though open it’s not active, but I find an artist inside and he tells me the Art Park is next door...

I head out to what is just a graffitied open space, with a very rough stage and some containers and built storage areas. There are a few art installations, and like a lot of Detroit, it’s found object art, rough-shod put together, but with a gritty street flair.
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So Stacy’s Sticker Swap Meet doesn’t seem to be happening, but I met Emanuel (A Photographer from Switzerland), who is also photographing the park and a local Detroit-ian skater Steve. We have a chat about Detroit and art and all things worldly.  Emanuel is keen to hear about New Orleans, or was it Austin? we have a friendly little world chat, and then Emanuel’s partner in crime, yells at him out the car window and then drives off! after photographing a few more things I ask him if he needs a lift anywhere… he says she’s always like this, and will come back. Just as I am driving down the road, she does.
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Just down from the Art Park is another rail underpass with heaps of graffiti, and is also used for street party,  gritty launches or art gatherings etc, it’s pretty run down, & has a couple of dudes appreciating the graf & smoking a jay. It looks like it’s had a lot of use, & there are some great pieces.
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Detroit lost it’s rules long ago, and the locals seem to abide by that, that’s why it probably feels a bit fresher in its approach than other cities I’ve been to.  I having to travel faster now (as I am running out of days), which is a shame as I feel Detroit has a lot to offer, and I’m sure I will have to explore it a lot more in the future. The grass roots arts and community scene seem strong here.

Anyway I heading to a Swing dance night and then a jam so gradually start to head that way.  I’m trying to cram as much of Detroit in as possible.
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I head further north west, but have a bit of time so start to think about dinner, but as I am driving I see a sign for 8 Mile Rd, and totally remember that Eminem is from here too, so on the spur of the moment swerve across the Hwy to the Exit and drive 8 Mile to see where he grew up. It is a run down suburban area, not terrible, but definitely has a grittiness to it. I drive for a while just soaking up the vibe, sights, and the history that inspired the music.  I stop at Mohawk Plaza and stop at the asian takeaway to get some food local.
You know you are in great neighbourhood when even the asian food place has a full bulletproof shield across the entire shop, with a little bulletproof glass turning box to exchange money and the food. ha ha! I hang for a bit, eat my food at the one small table, while a few different black and asian people come in & out. Not one white person. While I am there I decide to look up where Eminem grew up, and it turns out his mum’s trailer park is literally 5mins away.  So after food I head off for a look, like a ‘good’ tourist. What the hell, sometimes first hand curiousity ya just have to flow with it. The Continental Community trailer park is ever ominous in the dusk, and it is a loose place, with a few skulkers walking around in the dark.
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I start to feel a bit slack, gawking like an total outsider, but hey part of understanding the reason why, is at least seeing it with you own eyes I guess. Seeing Slim Shady’s local neighbourhood and the vibe of other Detroit at least fleshes out the music a little more as to where it came from.
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I head out past 9 mile Rd where the Swing night at Rosie O’Grady’s, but that Swing night doesn’t exist anymore (thanks internet), but I find another night and head over there at Mr B’s on Sth Main st in Royal Oak. If nothing else Detroit is full of extremes as this is a really gentrified cafe area, and must be where all the white people hang out.  Swing is fun though, and have some great dances with the locals, seems like a smaller insular group, some of which enjoy dancing with a different style of dancer, and some who don’t ha ha!  It’s only a small place that they have just moved to, so it’s a crowded dance floor. I get a lot of dances in but then head over to another blues jam before it gets too late.
A short 15 mile drive across town to the western shore of Lake St Clair, I get to The Blue Goose Inn recommended by the Pub Froggy crew, arrive in time for some jamming! Tosha Owens is there, and a few of the others from Froggy. I meet a few more locals, and get up for a jam.  Fun times, a upbeat number, then a really mellower heartfelt dynamic one. I make a great connection with Jake Segal who’s a blues drummer with feel. The house band is great also lead by Erich Goebel, crazy guitarist with a beard to match! Good jams but I don’t get a jam with Tosha, as it just doesn’t work out sometimes :) 
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A surprise! as Stacy Risner shows up to the gig and gets to see me play, which is awesome, after I mentioned it at Heidelberg, the pub is around the corner from where she lives, and she didn’t know that music happened there, ha! informing the locals… it’s cool to see people more than once on trips like these.
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Next day thursday,  I get up a bit earlier say hello to the Basecamp crew, and head out to do some more daytime things, head to the Eastern Market area that I saw had lots of street art, and cafes with farmers markets and the meat packing district. Just want to have a breakfast and do some blogging and stop in at Trinosophes on Gratiot Ave. Great cafe and music space attached. I check out where a couple of my other recommendations are for the day and then head out after a great brekky!
I see a bit more of the city and find the Play Space recommended by Stacy, run by Michael Feld a musician and technologist.  He created his own studio space, art centre/creative hub, that provides facility and opportunity for up and comers. I do find the place but just can’t quite link up with Michael, so we email a bit. I head over to another place Stacy put on my list, Hamtramck Disneyland! 
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Completed by Dymrto Szylak from the Ukraine but moved and worked for General Motors for years in Detroit, and completed this folk art in his yard after he retired and needed a hobby, it’s now owned by a Art conglomerate who rents 3 of the units on the property to cover costs, & one unit for an artist in residence.  Detroit certainly has its share of crazy grassroots art & artists.
In the evening I have 2 jams to head to! Curtis Sumpter who I met at the Blue Goose said he had a small regular jam way out in Westlands (about 30mins out of the city) I don’t think he expects me to show up, but I do! it starts earlier and then I can get to the later jam as well. I have transport so use it and get there early for some dinner, then get into a great conversation with James Cloyd Curtis’s bassplayer, after some musician and blues talk, he tells me a great story of when one time when he was playing with Albert King, and a young Stevie Ray Vaughn was trying to get onstage totally off his head, so James bounced Stevie right off the stage and out of the place ha ha! 
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The jams here are not straight blues and there is a brass section and it gets a bit jazzy, soul and funky influenced as well.  It’s a cool bunch of old experienced players.  I get chucked up with a great bunch and lay down some versatile jams, get a few nods. It’s great being at jams every night, with a great level of players at all the jams. I have some more chats with a few of the other musos after my jam, and eventually thank Curtis and James for taking care of me, but then head off to the next jam after a couple of hours.
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Travel way across town 25 miles to the First Place Lounge, to a wilder jam with David A Watson and some of the jammers who were at Pub Froggy, and it’s cool to be recognised a bit in Detroit as a few people say hello (I’ve only been here 4 days). It’s a loose and bluesy, but also a bit anything goes, so over the course of the night there’s all sorts of songs and players and even MCs throwing down rhymes over beats and grooves. I get a good run here and play a lot almost to the end of the night! Martin Chapparo and Brendon Linsley get up to some old tricks and we head off into jamming all sorts of crazy grooves and jams and covers (that I don’t know) ha ha fun times! 
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Unfortunately this is my last night in Detroit… I stay the next morning, head to the Eastern Markets area again for coffee, breakfast and more blogging, I was only going to do a stopover in Detroit, but ended up staying a few extra days (sorry New York and Boston) but it’s great to cram so much into such a short time.  Some huge musical icons, local jams, getting to know some creative people, getting to lots of areas (good & bad), most of all finally having a 3D personal view of what Detroit is ACTUALLY like, the rest of USA you don’t know what you are talkin’ about, Detroit is a must see in my books :)
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Great connections, great people, I’m sure I will be back, Love ya Detroit Rock City! then it’s over the river into Canada heading to Toronto and Montreal. I can feel the Fall temperatures starting to bite, as the leaves are all starting to turn brown.
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Part 9 - St Louis to Chicago - "I am not interested in clinging to what happened, I am so newly alive"

10/19/2017

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Ok So I ditch out of amazing Memphis, crazy amazing musical experiences. I head on down the road to St Louis, a nondescript city, with little to no hints from people along the way… are you a black hole St Louis? where no light escapes… I can assure you St Louis is a musical, creative city that seems to have gone under a lot of American’s radars.
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I drive across 2 state borders and end up in Missouri, an honestly didn’t know what to expect, but the musical and swing dance trail always offers a doorway into the world that is the unknown. On the road I stop at a roadstop on the way and find a great AirBnB to stay at with Laura in Tower Grove South, on the southside, little local area with small 3 story apartment blocks. She’s a great host and is a Blogger and entertainment person, hence why I picked her place, and also the price. The area is not the best area, but that is part of it. Not to be in the glossiest, closed off version of the city. It’s to find the people, the stories, and the music and in only a short space of time to be emersed in the reason why, not just the showy end result.
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While I’m booking the accom, I look up a blues place to go to and a when the best swing dance happens. 

I’ve gotten into the habit of driving straight into a city, and doing a lap or two around the CBD, right out one of the main roads, and around a few blocks just to see the major site-y things and get a feel for the lay of the land, directions and what tall landmarks for bearings, it seems to work out well for future wanderings and finding other spots, and feeling & moving around other suburbs. I stop & do a walk around the new arty walk & parkway right though the centre of St Louis.
I rock into life here straight away, do the last vertical tram lift ride to the top of the Stainless Steel Arch of St Louis, the totally tourist, but it is worth it, and get a great overview of the city as a whole (see photo above). There is a swing dance class and session that night Wed… check into my accom, and quickly duck off to make it to lesson. Dance with a new crew, and get the low down on a few new places, more swing dancing, some music venues, and a few sights to see. Best thing about music & dancing is everyone is so social and always have great insights into their city. It’s at swing I meet the wonderful Eliza, she is an enthusiastic swing dancer, academic & also a musician!  She has a photoshoot the next day, and will have her instruments, so we set up a possible jam!
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Get in simple class stuff (but it’s always good to revise the two step West Coast Swing that I’m not use to), and then a few people tell me of a swingy band that is playing tonight at the Schafly Bottleworks (Brewery) in Ellendale in the southwest also. The band is great! heaps of swingy goodness, there is only a few dancers but a lot of the music is quite fast, so i am happy to sit out a lot and watch, but I get a few dances in.

Band is musically great! 1920s style, and I find at the end of the night they carry the upright piano in and out to the stage each time they play… Crazy!  I buy their CD.
Next day decide to do the selective tourist thing as after starting my list for St Louis, the one thing that keeps getting mentioned is City Museum. But a few strange things come up, one was “Make sure you take knee pads and get a tetanus shot”?  now this doesn’t sound like a museum… and it’s not just any museum.  It’s rated one of the best family attractions in the entire state of Missouri, recently rate number 1# family atttraction in the WORLD by Trip.com awards and is an artistic masterpiece that has to be experienced to be believed.  It’s a bit weird for me when I walk up to the counter and order ticket for one, no kids,  but hey if you can’t experience life, and miss out on things because of social pressures, then I think you're the one with a problem.
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Basically it’s a 10 stories of constructed madness, weird areas, tunnels, castles, underwater themed areas, a treehouse area, caves, slippery dips, ladders, spiral stair cases, and secret tunnel openings in every floor connect areas.  They are themed areas with rides, and the roof has bus overhanging the edge, enclosed welded, wire tunnels you can climb through to get to other areas. Forget commercial disneyland, get to City Museum!
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This would be a 5 - 16 years heaven I think, and those young at heart (also there are areas for younger children too if you have many ages… rightfully so, when the wristbands get attached on entry, there is a space on your child’s for your phone number, as you will lose them in here. There is just too much to describe, if you ever get to St Louis this is a must DO!
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Enough of the light stuff, I head over to the Cherokee St area, which is a bit more down home, but trendy cafes, food places a few music venues, a little mexico, and dive bars. It’s like King St in Newtown maybe in the early 90s.. when it was still a bit sketchy, was heaps of fun, but you might still get accosted by a drunk or a bum with angry intent.  I need to hang out here in the night, but for now I drop into Yaquis for a arvo pizza, and chat to the bar staff there. They give me the lay of the land and the sort of music they play there. I wander the strip and see a few more places before heading about 4mins away to Eden Cafe, which a few people have mentioned.  It’s a dive/art bar that the owner/artist has been working on for like 20years.  I’m sure he must be inspired by Gaudi in Barcelona, as the place is head to foot mosaic’d and intricate found object art in every square inch of the place.
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They do live music a few nights a week, and I have a beer with the band loading in, I receive a flower in my hat for my conversation. I have a great chat with some other locals/tourists and end up with a few more things for my Chicago list.
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I cruise around town a bit and check out some of the venues, but don’t have anything specific in mind.  It’s just great to just have a city envelop me, and for me to see some of its bones. I also catch another nighttime, flouro-lit peloton which I guess is a thing in the USA… pretty hilarious and now I want to go on one.

I get home rather early for me 11pm, and look up what to see… but it all catches up with me and I end up crashing out and not having an extremely late night, for a Thursday… every once and a while the mind has to catch down with the body… :)
Next day I make plans to catch up with Eliza, and see some music, and I coax her into coming to a swing dance at one of the big dance venues on my St Louis list. But first things first, Blade Runner 2049 just came out yesterday… and the first movie is one of my all time favourites… it STILL tells of a future that is quite possible, it was also one of the first movies that I saw and liked, and had asian faces feature on it. And showed a future that wasn’t white dominated, and the people weren’t all beautiful.  It was Cyberpunk reality… a little harsh and a little gritty with a main character who you didn’t know if he was good or bad, just held true to what was real.  I guess when I was young this message spoke to me a lot… 
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Anyway I watch 2049… In one of the most historic, glorious theatres in St Louis ( I looked it up especially, and if any of you know by now I don’t really do mass culture and cookie-cutter megaplexes) This theatre is so great! they have a classic snacks bar, and the alcohol bar and a separate free mini-cinema lounge was playing classic cheesy movies! (for bladerunner 2049 Total Recall was playing)
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I watch Bladerunner 2049, and luckily I have seen mixed reviews and it all lowered my expectations.  It was like a lot of friends appraisals… visually spectacular, but generally underwhelming from the first movie.  But they are big boots to fill, the first movie was so groundbreaking, and explored unknown territory… this time around its a follow-up, re-creating a known world, hashing known issues, exploring setup up topics… I always feel sorry for sequels.  It is always a difficult task.  I did like this movie, but I think that in its 2 headed approach to remain truthful to the first, and the pacing and tone (which I think was perfect to the first),
it forgot that movie audiences have changed in the last 20 years… and the goal posts moved. So it comes up beautifully as a sequel, but irrelevant to today’s audiences and emotion. So ultimately it was a slight let down… but I think stands up well as a movie.
I saunter around the city again, get some food at a local cafe, and check out a few venues on my list… I head to the blues bar area just south of St Louis CBD, and get a bloody mary at Beale on Broadway, which has a great bar outdoor beergarden area with a enclosed stage (but the backdrop behind is a city view)

I totally don’t realise this is the wrong bar that I organised to meet Eliza in, and by the time I get to BBs Blues Bar across the road, she has already had a beer and eaten… ha ha whoops.  Thankfully it turns into a better night out as Eliza has also just handed her Masters Thesis in that day! so we check the music but then head across town to the Casa Loma Ballroom to the swing dance on offer..  
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Get a few dances in, but its a bit of a slow night considering the size of the room, then after a few well appreciated dances (we get a few comments from people about our style, it’s not hard as a lot of the other dancers are older and more rock n rolly, so full swing dancing style stands out)

But we realise why a lot of the other swing crew have not shown up as the band, although they are a good big band, mostly end up playing bluesy rock n roll-y stuff which never makes snobby swing dancers happy… ha ha After a while we decide to head back over to the blues band area on Broadway.
Cedric Burnside just happens to be playing at the Blue Oyster Bar (famed son of R.L. Burnside!) so it’s a great turn of events! the music is just too good and I get Eliza to swing dance with me at the front ha ha… it’s not really a dance scene but its hellishly fun! Other people eventually join in. It’s swampy and bluesy and raucous, just the type of blues I like.

​Later we head out and decide to get some late night food.  As we leave around to the back car park, we hear 4 loud, distinct gun shots across open street intersection to where the highway underpass is, a block away.  
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We look at each other, get in the car and head round the front real quick (these are the closest angry gunshots I have ever heard, and did feel a little unsafe in that moment)  Other gunshots I have heard in New Orleans, Memphis weren’t as near or behind buildings, or I was in a building etc, so I wasn’t worried at all ha ha.  I think, would that Beretta have helped right now? probably not… dead is dead right...
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We take to the streets and go to a late night homey ma n pa style restaurant, and I get mixed hash with eggs and pancakes.. but as per usual the servings are huge and I can’t finish it.

Eliza and I chat about music, and culture, and race relations, and American things in general and how it all relates to the world.  She is particularly issues conscious, which I like, and we connect on so many levels.
I have stayed in St Louis extra time, as it was just meant to be a stop over on my way to Chicago.  St Louis has proved it can hold it’s own on all fronts, and Eliza invites me to visit a little town Elsa on my way out of St Louis to Chicago the next day.  It proves to be a great little trek on my way to a quaint little outer village of St Louis on the Illinois-side of the Mississippi River… I love that river, and it has been guiding my journey so far. I have a music jam with Eliza, and check the amazing greenery in the neighbourhood. We swap some recorded music, and then eventually I am on my way to Chicago.
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 It’s just a short 4.5hour drive to Chicago. Like Sydney to Port Macquarie, but the destination has heaps of music… ha ha

Chicago is a big city, I see things as I drive in, famous things, that I have seen in movies, the metal bridges that have been in some of my favourite movies. It’s large and feels like a city. Huge highways, so many multi-story highway interchanges, over-head metal trainways, a large inner city that has rows upon rows of skyscrapers.  But I’m not here for that, I do my usual cruise around the CBD and a few areas to get the lay of the land, landmarks etc,  
and I don’t mind traffic, it’s slow and congested, but I am still smiling in my California number plated hire car, listening to some swing jazz, and just checking and soaking up the sites… visually cities offer so much eye candy when you first arrive.
I stay in an AirBNB south of the city, with Katibu, he is Chicago through and though, he bought his house 30 years ago, and has gradually been doing it up.  It is a great older style house full of character.  Katibu is semi-retired, but still occasionally does specialised work on medical machinery, with radioactive materials! ha ha we have some great talks about programming, and computers, but he also is an avid dancer, and does country-line dancing on Wednesdays.
I check online, so much going on in Chicago! of course. First night I go out with Katibu, he is keen to be a good host, and is more like my long lost cousin, than AirBnB host, we have some great chats, and his wry humour comes out, after I get settled in we go down to a local hotspot and he shouts me dinner! ha… he prides himself on being a hospitable host, and goes above and beyond, we have more great chats about Chicago and the local scene.
​[Katibu line dancing highlighted in white light —>] It’s pretty crazy to see a long dreadlocked African American doing country line dancing, but he loves it, and does other types of dance too.
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Second day I've done my research and end up with jammy things everyday! Chicago you BE crazy! Monday I do more of a cruise around the inner city, but also check a few outer-lying areas where music venues are.  It’s great being independent and being able to drive. It always has its disadvantages of what to do with the thing in cities. But on a universe driven adventure its advantages outweigh any minor costs.
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Monday night I head to Buddy Guy’s Legends Blues Bar. I’m thinking its bound to be pretty high quality players, and it’s right in downtown Chicago, so I pick up my bass and head inside, I get a bit nervous.  It’s warranted, it’s the full deal, even on a monday for the JAM, people have to BUY seated tickets to the event, its a pretty big venue, and the majority of the players/muso types I can see are mostly experienced looking older black guys. Intimidating much… never have I felt more Australian. ha ha I don’t expect to get a run too soon, and a few more established singers and musicians get up after the house band, who are all pretty amazing. The jams are also amazing!, but not so much that I feel out of my depth, I have a beer or 2 & relax into what turns into a great set!
I jam with Sonia Astacio and Mike Maneechote and some other great players, and we really get our groove and blues on.  Sonia belts out a some powerful vocals, and Mike is no slouch on the guitar either.  I stay tasteful here and there, but then also dynamically throw-down a bit in places too, so much so Sonia offers me a bass solo (which she tells me she never usually does) It’s a fantastic show! and a few others come up and say hello after the set. Later in the week I find that this performance puts me in good stead at a lot of other jams.  Sonia makes a connection, and is so disappointed when she finds out I’m from Australia, she thought she had found her new bassplayer.
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At this gig I also meet a few other players, and singers like Julia Sky from Chicago, and Christian Talamentes from Texas.  This place attracts blues players from all over. Julia is such a ball of energy, and we end up having a dance to some of the other blues jammers, as they play bluesy rock n roll-y danceable songs.  I get some nods from some of the other players around, and its pretty cool to stand up in a place this prestigious.

Julia invites me to another open mic jam on tues night at Lilly’s. It’s a great night and I feel that Chicago is going to be a great-and-interesting time.
All those years of watching crazy car chases through the pylons of the Chicago railways on movies and tv, the noise of the trains passing overhead, and here I am driving around in it.  Ok Chicago I am fan-boy-ing a bit, as this is also the first city that has THAT gravity that hits me from pop culture, world-wide zeitgeist, that seemingly is owned by us all.  It is a bizzare and warm experience. It’s like it’s part of my upbringing, but this is the first time I have been here.

It’s late, so I head home to Katibu’s house, and I research more and find blues jams and swing dance things to go too every night. Chicago is another city I could definitely live in, and perhaps I will.
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Next day I get one more thing out of the way, that my twin brother Stacy would kill me if I didn’t complete it.  When we were kids we had a bit of a misspent youth, as sometimes being different in a small, white, country town, you have to retreat into other worlds, and one of those worlds for us was video games. But in those days, they were in arcades, I lived the early era of video games where there were machines, and you paid 20cents, then 40cents, then 1$ to play, from Space Invaders/Pacman thru to the Street Fighter era. SO in Chicago there is a hark back to this time, in an era of playstations, online games, VR and infinitely more complex games, a place called the Galloping Ghost Video Arcade. It must be where all coin-up video games go to die. The owners have made it a homage to that era, and have over 620+ old arcade games set to free, you pay $20 to play all day!  I find so many games from my era of video games, it’s definitely a trip down memory lane.  I get the Highest (daily) score on about 7-8 machines ha!
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I find some goodies and oldies, some of my favourites, some of Stacy’s favourites, and play them all! But I can’t waste a lifetime here like I did in my youth, as this trip is about music. So after a great afternoon and evening, of square eyes, record setting, and ruminating memories of a past era (it’s funny what things trigger in your memory),
I head back into Chicago city, to Lilly’s open mic. It’s a tiny cool bar, who’s catch cry (for tues at least) is GET WEIRD!) ha ha Julia waves me over and introduces me to a few other musos. It’s a really vibey place, full of old memory and is full of young hopefuls, musos, weirdos and all sorts of people just living, it is a Tuesday after all, and only a certain type of people come out on a Tueday! and I’m one of them.

The Open Mic list gets started, for the un-initiated, each person usually get 3 songs… and most open mics are exactly that, totally open, any level of skill, music, comedy, spoken word, bizarre acts… you usually get a few of each. 
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As a bass player I usually just jam with people, on the spot, after many years of playing, you can (if they play regular-ish music) just watch the guitarists hands/chords and follow along, then once you get the chord pattern then start adding frilly bits :) I put down with Julia, and she let’s her mates know that I am willing to jam with anyone who wants a bass player.  We have a great couple of songs, the final one is really ripping, and we get joined by a Cahon player (box drum), and some back up vocals/handpercussion. I end up jamming with 2 other artists, and unbeknownst to me Julia has put my name on the list! They call for Tim, and I’m like “nup, I didn’t put my name on the list, must be another Tim"
Julia goes, it’s you! ha ha nothing planned so I just play a funky groove, and some hip hop dudes jump up with me and throw down some rhymes, and another cahon player does a beat for us. It’s heaps of fun, we go all over the place! several  rappers kick it. I play with another guy. There are also some other great singers/songwriters, and a few average ones, and a few weird ones… great night for a tuesday.  By the closer to the end, Julia and me decide to head over to The Green Mill which is a jazz joint that is on my list and is open late.
We get there, and there is a great swingy jazz band playing, a bit of a dancefloor at the front, but everyone are just sitting and drinking and listening. I like that I can dance, as just sitting through life is one of those things that shits me now.  We stand and watch for a while, but eventually have to dance as it’s just too infectious! we christen the dance floor, I think people are surprised to see people dancing? Julia is not really a swing dancer, but she definitely has rhythm, enthusiasm and is just full of life (I think that is about 80% of dancing anyway).  We dance a few, and eventually the people leave from the booth in front of us, and we nab it.  
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Julia informs me that this is Al Capone’s booth, as he wanted to see the back, and who was coming in from the front. So cool! swing dancing in a late night jazz club in Chicago, and sitting in Al Capones booth, it doesn’t get hep-per than this!
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As the night winds down at The Green Mill we ask the doorman where to next? he sort of umms a bit, and mentions a few places, but then one of the waitresses who’s walking by who saw us dancing tells us to go to this other bar where Bailey Dee is DJing Rockabilly til 2am, it’s not far so we skip over there, and find it’s a totally small diner-style long bar and only with a few people in it.  But the waitress was right, Bailey is a total rockabilly babe, who is playing awesome music from 45” record singles. So we have a bloody mary, and dance in the front of this totally small bar, which in turn, get another couple up to have a few dances too, we all swap dances! 
The bouncer gets concerned, but then realises we aren’t drunk, and we are just having fun (I don’t think he’s seen anyone dance in there before). Bailey is stoked that finally some people are appreciating all the effort she goes too, and we end up chatting at the end of the night. I realise that someone from Memphis also put Bailey Dee’s band on my list for Chicago, so it’s great to catch up with her. We chat about music and exchange contacts! random fun night. I give Julia a lift home and we get some late night Mexican food on the way. By the time I get back home to Katibu’s it’s about 3.30am… ha ha
This pattern of really late nights, and slow mornings is reminding me of New Awlins, but this is the musical hours, the movement life is the nightlife times. I do a bit more research to make sure I’ve got the rest of the week lined up.  I head out next evening to where Katibu does line dancing at Burbon St Bar in South Chicago. It’s actually great to see this in full flight, and there are a lot of dancers who take it relatively seriously and the synchronicity and flair of individual dancers is great to watch. After a few beers & chats it’s eventually time for me to head off, as I have another jam to go to in northern Chicago, near the North Halsted St area (where a lot of music/cafe/bar happens)
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I head to B.L.U.E.S Bar which is another blues bar obviously that has a jam on Wed nights. I get in and it’s poppin’! Groovy blues and a really great house band. They are all phenomenal. I think probably better than the house band at Buddy Guys.  So good it’s a bit scary, you can see the depth in the players, playing known stuff but definitely being able to just move around in the music, listening to each other, playing blues off the moment, just using the form and chord structures to just be a guide, and then being in the moment. It’s great to watch players of such caliber in a small bar.
This place seems to be steeped in credibility, as it’s low key and the vibe is about the music, it’s not as touristy as Buddy Guys. But I’m here to play, so put my bass up near the stage and make it known I’m here to play! ha ha after a great house set, and another guest or 2, I get put on stage with a blind drummer, and the 2 other white jammers in the place.  Gulp. we get this singer, but he seems to want something specific. (and as the jam goes on, I think he is disappointed that he got put on stage with us), we play the intro, he trys to indicate a few things, we play the feel he wants,  just as we get into a good riff, and he is looking shaky, the drummer drops a stick (as he is not use to this kit, and it’s set up a bit differently to a standard kit), but the singer doesn’t see that.  
I think he just thinks its a train wreck of a jam… He’s sung half a verse, but then goes, "nup, I can’t..” and walks off the stage, haha, in all my years I have NEVER seen anyone walk off the stage in a jam. The band isn’t sure what to do, but host from side of stage just goes “KEEP Playing!”, we do, and get into a good groove, he gets another singer up.  He’s rocks into a great song! we pump and lift it higher.  We do some more songs, the country blues guitarist does a Texan inspired twang, and the other jazzy guitarist does a swingy jazzy one,  We get a Brazilian drummer swap out. We really kick it and have a great jam! 
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I think the host knew we would. Crowd is cheering! (I think the dramatic start makes it even more victorious!)  I think the hosts like me (or maybe they are just short on bass players ha ha)  as the others get replaced and I stay up for a few more Jams with other players :) (but I get a nod from the house bassplayer, feels good). Play with a really great black rhythmic funky drummer, we have heaps of fun jamming the feel around in the back.
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These nights in Chicago I think make me realise in a direct, practical way, that to make great music, you have to seek great players to play with, it’s just a joy to even jam with people dedicated to the craft that is music.  It is fun to play music with all types of people, but jamming with other people who are dedicated really is SO easy and creative.

I think on this night my subconcious decided that it would be returning to the USA, sooner rather than later.
Ok so there is another thing from Chicago that is SO significant for me. And I totally do the one absolute FanBoy thing on this entire trip.  I love the movie High Fidelity, a very musical and life journey, and a romantic comedy of sorts, but told from a male point of view (which is rare for romantic comedies). Based on the book ”High Fidelity” by Nick Hornby, with the main character played by John Cusak, and directed by Stephen Frears, a British director. A totally British story, but the movie was shot in Chicago! and totally translates.. which is rare.
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Great and funny supporting cast, with some great emotional twinges and innovative 4th wall stuff that holds over from the book.  If you haven’t seen this movie, SEE IT… it’s an insightful relationship entanglement, told as a comedy, to an amazing soundtrack. So here I am, down on the corner of Milwaukee and Honore St in Wicker Park in Chicago, standing outside “Championship Vinyl”, “Rob Gordon’s” record shop…"I own this store called Championship Vinyl. It's located in a neighbourhood that attracts the bare minimum of window shoppers. I get by because the people make a special effort to shop here. Mostly young men...who spend all their time looking for deleted Smiths singles and original, not rereleased - underlined - Frank Zappa albums. Fetish properties are not unlike porn. I'd feel guilty taking their money, if I wasn't... well... kinda one of them.”  17 years on, Rob’s neighbourhood has upgraded and been gentrified, as what in the movie was a rundown suburb of north Chicago, is now a popular and trendy cafe and clothing area, and Championship Vinyl is a upmarket bike and clothing shop with a cafe built into it… ha ha I have a little nostalgic episode on the sidewalk looking up at the street signs.
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After that galavant it’s back to reality, and I have been invited to another jam with Sonia and her bandmates at Rosa’s, another famous blues house. It’s a great mid sized joint, plenty of players abound, and it’s a bit more rough and tumble than the other jams I have been to in Chicago, but turns out fun, and interesting.  Chicago is blues. I start to see players that I have seen at other jams, and new ones too. It seems that in Chicago you could just not watch any TV and go out and play music every night if you wanted to.  Sounds like my sort of city.  There are various styles of music played, and like a lot of music venues it have a piano permanently on stage.  Rosa’s is a mini-grand piano.
That night I take the long way home, and drive the city edge, check more places, drive the under-railway roads and soak up what it is to be a late night Chicago-ian. How do you soak up more, every moment… I want to feel the city.
Next day I decide I better do some more day things, and head out into a dreary Chicago day, it’s absolutely bucketing down. Great idea! But it seems fitting as Chicago is all about the bad northern weather, it’s heading into the Fall now, so bit of rain is a welcome relief from what was the New Orleans Summer heat and the Texas dry. Hit the city and do a bit of a walk around when it’s lighter, drop into Lou Malnati’s for some deep dish Chicago-ian pizza for lunch. Cold, wet weather comfort food, Lou’s has a line up and it proves to be right as the pizza is delicious, and I accompany it with some salt n pepper squid and a bloody mary (which is slowly becoming my spicy drink of choice for meals and one-off drinks)
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I check out the streets, do a little touristing, and just like the eye-candy of walking around a bit in the day. It’s interesting the city vibes you get from just taking time to experience what is in front of you, and not having to rush (like everyone around you in a city). Chicago seems to be a city built on layers, everywhere layers, the most overhead, under-tunnels roadways, trainlines, walkways,  compacted into a historic place. Bridges over water, parking spaces, streets, broad conveniences to add city where there was none. It’s an engineering marvel, and shows direct, exposed lines to its historical lineage.

​I think about what it would be, to live in this layered place.
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It’s friday night, and as it rolls on the rain continues in, and as I am heading to one of the cities big swing dance nights, the rain is of New Orleans-ian proportions. Some of the under railway roadways start to fill up with foot deep pools of water. Earlier in the week I had gone to a couple of swing lessons with one of the local troupes and that is how I found out about this big dance event.  I rock up, and it’s in a funny location, a warehousey area. In the rain I duck in quickly and head up the stairs. At the top I find a room full of people sort of dressed up, some guys with braces on etc so I presume its the swing night, but it just looks like a waiting/bar area. Some of them look at me funny, I take my jacket off, and swap my boots over for the shoes I can dance in, and stow my bag. I look around and out in the hallway, there doesn’t seem to be a dance floor?
I chat to one of the guys, and say where’s the dance floor? is this the swing dance? he goes, no this is a reception, the swing is downstairs, apparently a few people have done the same. I gather up my things and head downstairs… Inside a rustic warehouse door I find a fencing dojo, there are swords on the walls, & a gym area at the back, but the area is huge and because it’s for sword fencing, the floor is board floor throughout. So a massive dance floor, I can see why Big City Swing Chicago uses the place.  DJs are great & I get heaps of dances in. In the middle of the evening they have a birthday dance, which is where anyone having a birthday goes in the middle of the big circle, & everyone jumps in & dances with the Bday people as the song plays.
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They add out-of-towners to that mix, and as an Australian I am from the furthest away! It’s a great dance, but just as I get to one of the gals I wanted to dance with (she is a great active follow, and dances the way I like), I guess I am trying too hard, and I blow my knee out in the dance with her… ha ha (I have an old knee injury from years ago from fire-twirling, and every once and a while I twinge it) I fall on my ass… and she laments that she has broken the guest! ha ha. but it’s fine. The troupe takes care of me, and an ice pack, and I am up and dancing (a little more carefully) for the rest of the night. I have a couple of great dances with some late-comers. 
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As the night winds down, I am not ready to go home yet, and others indicate that there isn’t much on after, so I head to the Green Mill again, as I know there will be late night jazz there.  It’s jAzz jazz… great players, really great players but a bit widdly widdly for me.  “Real” jazz players ultimately end up playing for other players and themselves… and not the audience or dancers etc the precision, the extreme knowledge of musical theory.  You have to appreciate the wonderful ability to ad-lib, and solo over a complicated progression.  But ultimately for me, it lacks heart and earth throb.  That primordial drumbeat and pulse that eminated from the earliest of musics, and made people jump around together as a tribe.
And as a bass player waveforms that are long and move your body not just your ears. Things that reach down into the soul that makes you up, ticks boxes in your sub-conscious, and makes your ass move and makes it impossible for your feet to stay still.  I have alway enjoyed active music, no matter what style, that has a tempo that is above your heart rate whilst sitting.  Once the tempo does not allow you to comfortably sit still or relax, it forces the animal instincts that you have supressed to bubble to the surface. For live music that story dynamic has always interested me (and how I try to connect with tribe).
Anyway I listen to the jazz, it is amazing, but no-one dances, and I can’t find anyone who looks as remotely fun as Julia who would just throw caution to the wind and dance, the jazz-heads make sure of that.  There seems to be a lot of people in the crowd who are there more to be seen, than are actually listening to the band :(

​After I while, the pressure builds, and I have to leave. This version of a night eventually errks me, as good as the music is.  I head around the corner for some late night food and find a great Mexican place. It’s just a small  corner restaurant/cafe run by Mexicans. 
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I get shrimp mixed, and this is actually the best tasting Mexican food I have tasted in the whole of the USA. It turns out the be the best Mexican I eat, bar none…! for a small place they balance the spiciness, tastiness, amount of food, delicious sides, crispy corn chips, a selection of side salsas. I can’t fault it.  I would _nearly_ say the best meal I had in the USA. I have stayed out really late, I think it’s another 4am night by the time I get home.  Chicago you are upp-ing  to the ante of New Awlins… Sat I am a bit wrecked, and opt to have a rest day, hang and chat with Katibu in the afternoon, and do some more online research about the city.  Decide to have a night off, & stay in the suburbs, & arrange a things for the next days.
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I was originally going to be moving on from Chicago on Sat, but stay as now I have jammed in 4 out of the top 5 Blues houses in Chicago (according to a list I found online…) and the only one I am missing is Kingston Mines.  It’s a blues institution in Chicago, and Sonia invites me to stay and play again at the Sunday  jam there.  I have also been in contact with Mike Maneechote and some studios around Chicago, and we can get into one on late Sunday night.

So I book some more accomodation for a couple of nights closer into the north of the city where I will be, and pack my stuff out of Katibu’s place.
Had an early night so do the day thing, and try to actually get to a few things tourists would do. Go to Chicago’s “Peanut”, check out the stadium, walk the inner city streets a bit, check out a drummer busking on the streets. Ya gotta spend one day doing some of this stuff right… the sights are sights for a reason?… generally I try to skip over this stuff as fast as possible and get to the music or the arty things. But I do like to do it tho.  The Stadium has amazing stage & metallic, architectural backdrop, but the thing that impresses me most is the huge grassed area out past the seats, where overhead massive, metal curves hold up arrays of speakers for sound to the back.
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I wander the city a little to and see it’s shape. Chicago is another city that passes my gauge for a big city, when you are walking on the street - people don’t make eye contact - you know it’s a big city. But Chicago doesn’t have and aggressive vibe like Sydney or Nashville or New York. It’s big, but it still seems to have held onto it’s working class roots, it’s proud of its ethnic heritages, and the definite communities that have formed because of it.  Sure it has corruption, a little danger, but I think it has retained it’s spirit, the reason why… and managed to not sell it’s soul completely, yet.
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I get to Kingston Mines, the bar is medium sized and closed for a private function, I arrive too early, and literally have to wait 15mins before it ticks over past 6pm and the private function is considered over. Security guys are always funny… Later Sonia and her boys are sitting up the back row like good musos should ha harr! I join them with a beer, they have a little set of songs worked out (now I am part of one of “those” bands ha) but it’s a good selection of songs, a couple we did before and some new ones.  Ken goes through the chord progression and feels of the new ones with me.  We wait a while, the house band starts up, I notice the bassplayer is pretty average, but they tell me he is a fill-in for the the house band, the regular bassplayer is great.
Couple of other players get up with the house band, and gradually heads into jammer territory. Sonia and the boys are known to the Jam host Linsey Alexander.  You have to understand, Kingston Mines has been a blues club since 1968, and was recently rated best blues club by Chicago Readers in 2016, and Most Popular Blues Club in the Chicago Music Awards in 2016 (again)! So playing here you are playing in an esteemed and historical blues house.
After the house band with a few guests get up, a band gets up lays down some solid but standard blues.  They obviously aren’t too flexible as they play one of the songs the house group played, Down Home Blues, which is actually on our list too, but we decided to not play it, and now its been done twice in the night already… the downside of jams I guess, where standards come out.  I move the stool off the stage, all the bassplayers before me have sat on the stool stage-left towards the back, and plod-esaurus'd through their walkin’ basslines.  I have no intention of doing that.  Linsey looks at me, “ya gonna put that back”, it’s not a question.  I look him straight in the eye, as friendly as my Australian eyes can muster “of course!” with a smile.
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We plow through a short set, it’s up, the energy is up, and Sonia’s vocals soar over the top of us. The whole room lights up. Big cheers after each song. We have good interaction as well, moving and grooving, and reacting off each other.  I have a great time with Sonia, the drummer and the keyboard player.
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It’s a great little set, time is short, the question is open for us to play an extra song, crowd cheers and wants one, but the band umms and ahhs, and we get pulled, as there are always lots of jammers, and to be fair you can’t hog the stage.  I replace the stool to the bassplayer’s spot. Linsey gives me a wry smile, I think he liked our set.

A couple of musos who were standing near the bar that I talked to before, come over and say hello again, compliment the set, and chat about music.  It’s why I did this trip, and spent the time and money.  
Besides having a great time playing, seeing the cities that developed the music styles I like to play, it’s the getting to hang out with musos at that local level and just chatting about the state of things, what they deal with on a day to day level, not the perceived infamy of it all, but what they actually have to deal with in those cities.  The real and gritty reality of playing music in New Orleans, Austin, Memphis, Nashville, St Louis, Chicago, Detroit, Toronto, Montreal, Boston, New York… and like everything the reality is far from it’s famed gloss.
I haven’t got time to soak up too much glory, but I soak up a bit ha ha, hang with Sonia and the boys and chat to a lot of musos around. Things always get more relaxed once people know you can play.  I have to head off as I have booked a session in a studio with Mike Maneechote to record a guitar part on my travel song. We meet at Mystery Street Studios in North Chicago, it’s not far from Kingston Mines and in the hotbed creative north area.  It’s not the biggest studio or the most prestigious, but they are affordable for my side project, but still have a great list of gear.  We are only tracking guitars,  and they have completely excellent gear and rooms at a great price. Chicago must be pretty competitive in the recording realm.
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I was msging Mike from a jam earlier in the week, and organise this session.  I send him an old version of the track, and then a reworked version so far with no Guitar lines on it so he can have a listen and work out a few things on it.  Dan Norman is our engineer for it. He’s really enthusiastic about the track as it is an unusual project.  Recording parts along the way with people that I meet in life, and getting them to put their story into the song.
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Dan pulls out a microphone that even I haven’t seen before… which is rare these days, Shure Beta 181C. We also mount a trusty SM57 on the cab for classic guitar cab mic-ing.  I get Mike to use his amp and pedals, as I want him to be totally comfortable with the setup, and also being able to pull the sounds he wants to make.  This part is Mike’s part. The whole idea of this side project for me is that the musicians that end up playing on it have control of their parts, and I just work as guide/associate producer to milk the best out of them and capture some of their essence (in effect) to be timecapsuled into the track.  A lot of people are precious about recordings, but I find after being on so many (probably over 15 recorded EPs/Albums and over 50 singles & demos), and working with many artists, it’s just a snapshot in time of a totally evolving artform.  People can be too precious about it.  Obviously you’ve got to achieve some standard.
But once in a studio sometimes people try to polish the music too much, and the character goes out of it, and they don’t understand that the process shouldn’t overtake the art form.  Making it “perfect", won’t necessarily make it perfect…. :) when they don’t over-polish you know you have a great producer/engineer.

Mike lays down many tones, we do clean rhythm-y bits, overdriven rhythms, then he does some solo-y guitar bits, redoes a few solos when he doesn’t feel right. 
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I like to direct my musos, with feeling words, maybe emotions, and try to connect them with the story of the song. We do about 14-15 different takes with 2 mics, it’s a great session! We pack up, Dan back ups/transfers the session onto my USB, I  transfer a copy onto my hard drive there in the studio (and later this is Time Machine backuped onto another portable Harddrive I have on the trip, 3 back ups, call me a computer nerd) but this stuff won’t be able to be redone. I may be flying by the seat of my pants on this trip, but there is still method to the madness.
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We are all happy with the session, we pack up and head out.  It’s getting later for a Sunday and Mike has to work the next day (realities of musos), but after a great session and great chats about music, he mentions a great jam that usually happens at The Revel Room on Sundays.  We head out for “one” drink to celebrate a great recording!

The Revel Room is on my list so it’s great to get to one more venue before I have to leave. It’s a great jam more fusion, jazz, funk, neo-soul.  The players are phenomenal. The mix and match and we hear some crazy jams.  We have a drink and chat some more, but eventually Mike has to go.  A great connection has been made.
Mike has to work, I on the other hand have no such responsibilities… so stay longer and listen to more music.  I meet Maddie and Jeff at the bar, who are creatives and musos with friends jamming… we chat about Chicago. Eventually we get to my list, and they revue the things I have done, and my other Chicago places.  One thing on the list I forgot was Mallort! A Chicago-specific liquor, that has been described as old socks in rusted metal, off pineapple in bin juice, "just don’t have it…!" ha ha so I have to have one… Jeff shouts us all a round, and I buy the beer chasers! it’s no-where near as bad as some people described, and definitely more palatable than some of the backyard alcohol I had in parts of Europe. 
But it definitely has it’s own distinct flavour… probably more closer to an Greek Ouzo, or French Pastis Ricard… but the Chicago version does have a more inner-city tang to it, lighter and sharp, rather than sticky and liquorice-y like Ouzo. It’s a great night, it gets a bit wild, and we are the last ones kicked out of the bar… No matter what you think from the news, American’s are the loveliest people you can meet… well if you hang in the right places.  I get some late night Mexican at the Hollywood Grill (its the easiest, healthiest option late on a Sunday :( ) and ponder how delicious St Louis was and how great Chicago has been, so much music and dancing crammed into such a short time. You gave New Awlins a run for it’s money Chicago, in less time.
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Next day I check out of my innercity AirBnB, and head to a cafe, before I head out of Chicago. Try to do some pre-research for Detroit, do some social media, and actually started this blog… but it’s taken me weeks to finish it. (the rest of the trip I started getting time poor) I stop in at Green St Smoked Meats Bar and Cafe. Coffee and space, wifi, powerpoints, and like a lot of these places a huge laptop computer party!

​Anyway I have my last bit of Chicago and then head on down the road through Indiana, and then onto Detroit, Michigan
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Part 8 - Tupelo to Memphis - “May you live as long as you want to, and want to as long as you live"

10/6/2017

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Cruising thru the northern part of Alabamie, sweet sweet Alabamie! I check the GPS and head towards Memphis, that place just has a soulful pull that left Nashville wallowing in it’s own commercial juices.

​I didn’t really think about it, but my path now takes me through Tupelo… and to the unseasoned, its just another small town, I drive in late at night, and book a cheap comfortable motel. Next morning have a bit of a drive around the “historic old” town area and find the coolest coffee place Crave, run by Dixie and Megan, two sassy young chicks who know how to make a good coffee.
Have a regular coffee, but as I end up there chatting for a while, get talked into a complimentary Vanilla Burbon coffee from their latest experimental roast. It was strange but delicious, had great conversations with the gals, about Tupelo, and what it is and not. And of course the thing that Tupelo is most famous for is it’s where Elvis was born… I’m not really on an Elvis pilgrimage, but its seems the universe is pushing me that way.. ha ha. They tell me a few other things that are happening around, and eventually I head off to another Elvis land.
It’s actually a fairly small place, but like Graceland seems to have had a budget injected into it. There is a goodly sized conference style building that holds the gift shop, small museum of early imagery and stories, a theatrette (that shows a pretty dreadful introduction movie with re-enactments), and other amenities.  But of course the main show is the house where Elvis was born (pictured here —>) a tiny 1 bedroom house with kitchen/dining room.  They have also moved the church where he learned to sing from around the corner (some dutch guy lived in it for like 30 years, until Elvis Corp bought the simple church hall and moved it onto the grounds here). The Church has it’s owns stories and AV screening presentation.
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It’s all very Elvis Corp. but the one thing that strikes me most is this little statue a the very top of the grounds in a viewing area that overlooks the whole place (that apparently Elvis liked to come and sit), of young Elvis with the very first guitar his mum bought him for $7. (Elvis wanted a BB-Gun or a bike, but she didn’t want him with a violent gun, or falling off a bike) The rest of the monument is a bit gaudy too, but this one I liked.

It reminded me of my story, and that all of us come from somewhere, and often our beginnings are humble, and that  creativity can move to you places in this world that you would have never thought possible.  I bagged potatoes $4-8 wk until I bought my own first bass guitar for $170… so I got one up on you Elvis, you got given your first guitar. ha!
So end up back in Memphis, I have done all the touristy stuff so it’s time to capitalise on the music. It’s Monday, I check what’s on, not much, so head to a venue on my list The Lafayettes, which I find is in Overton Square (and area that also kept coming up on my list from people)
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Lafayette’s seems to be one of those places that has a big reputation, and it’s a great venue with a big stage, and an nice restaurant/bar and a mezzanine level that overlooks the stage.  But as with a lot of the more prestigious places, the music can be a bit bland. This monday is no exception, a great duo, and their bio on the net was a great write up of promises and session playing prowess.  But the pudding was an overproduced sounding version of a lot of typical covers, with little heart in it. The small crowd also thought so too, and loved it, but sat mostly talking and eating in the furthest away seats… I was disheartened. So had one beer and left to the experimental music night I had also seen advertised at Hi-Tone dive bar.
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Now this is not really my style either, but at least I see passionate people about their own music. Also on a monday night in a smaller music venue doing experimental music, the crowd is small but also dedicated music lovers.  This is definitely a niche market, the first act is live played electronica with vocal samples and glitch editing, second act is totally analogue setup using synth modules, analogue samplers and a million leads to plug it all together, and the third act from (Baltimore I think) are 2 guys one with a guitar and effects pedals and his partner in crime on electronics and moog synths.  It’s definitely crazy noise most of the night, but watching people pour their hearts into something specific is always amazing to watch.  The small crowd loves it too.
I chat with the bar staff in the front room and some other band locals, during the night and get some great tips for my list of things to do and see.  They are also impressed with what I already had, which was a lot of places they would’ve suggested.
Tues finally have to submit to doing some house keeping and where else would you do your smalls in Memphis but the Elvis Presley Bvld Coin-up Laundry. Turns out I’m in a totally rough area ha ha, but have a great chat with my one armed laundry host Cecil. He’s surprised to see a white person in his laundry I think, let alone an Australian.  But we have a great chat about music, and Memphis and the state of politics at the moment.

I pop across the road to get some food, at the local quickie mart, and the various clientele are quite colourful in demeanour.
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The food in America is something to be deisred, deep fried fish cake on a white bread roll, with can coleslaw, soggy chips with packet ketchup.  While it’s cooking, I decide if it’s culturally appropriate to buy a stocking do-rag… (I don’t buy one). All of the cities I have been in there seems to be this crumbling infrastructure, areas of the American dream that have been left to disintegrate, to wither back into the plains they were stolen from.  I am not sure how long the USA can stand tall, when it’s own root system is weakened and rotting.
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I head to the Mississippi, as I haven’t seen the foreshore in Memphis yet, but travel through Soulville to get there, and it is an area that sounds great on a map, but is run down, garbage everywhere and crumbling down.  The foreshore by contrast (literally 5mins drive away) has been taken over reworked and made into a glorious public park water front with restaurant with a grass growing over it in a modern mound at one end of the park.  Excercise tracks and great views. All with the areas overlooking the park taken over by expensive houses, and apartment blocks. The difference is not lost on me.
I lie in the park for a while, my body needs a rest. Various fitness people, tourists and locals canter and bike by.  From various positions in Memphis I have seen the glass pyramid (in the picture), so decide to travel the foreshore to see what its about. It turns out to be an Outdoor Fishing, Camping and Shooting complex taken over I presume from whoever was crazy enough to build a pyramid.  The indoor area is the craziest mall I have ever seen, including many outdoors shops in a swamp, bayou, stuffed animals, live fish tanks place with shops in around the area, and checkouts dotted here and there.
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Full embrasure of the hunting culture, camping yeah… but mostly hunting. There a lots of huge catfish in display ponds and stuffed animals (bears, deers, turkeys, ducks, goats, antlers etc) in every nook of this display/mall.
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There are plenty of camping things, touristy T-shirts, camouflage-ware, canoes/kayaks, boat shop, fishing lines, bow and crossbows complete with a firing range, and of course the gun shop… no stop in ‘Murica would be complete without a stop at a gun shop for an Aussie.  It is a sight to behold, I have never seen so many guns in one place in my life.
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It’s pretty nuts to think I could have walked out of the place with a pistol in my pocket for about $189… if you wanted something more powerful, about $350, and top of the line about $800 for handguns.  If I wanted a semi-automatic machine gun it was about $1800-3500. Sobering… but I later look at the Beretta Compact Carry, and think Hmmm maybe I should… ha ha
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Anyway I forget about American paranoia and head out to some music again, the tues jam that Jack ran was not on this week, so I find The Catfish Blues Jam in Hernando, out on the edge of Memphis.  It’s a pretty local-ish jam but I find a couple of players that I know there.  It’s funny the effect of just one or two people saying hello to you in the crowd that effects the entire blues crowd (esp if those people are players). It’s an ok jam session, with a few interesting typical jams, but also a british couple get up and do a few songs which is a bit different, and then I get a few songs too. Fun night, and definitely a down home crew to hang out with for a night. Chat with a few of the local musos and the state of things.
Lunch Wed I head to Central BBQ which is on my list, and get the Nachos (recommended from Austin). I stupidly order the regular size which in USA means —> it’s a ridiculous amount of food, it’s awesome and spicy! and yes that is covered in jalepenos, so AWESOME! with a selection of hot sauces to make it even hotter.

I check out the South Main St area again, it has some cool cafes, and venues, the Blues museum and the Civil Rights Museum @ the Lorraine Motel. Some of the local graffiti art, and also have a first look at Ernestine & Hazels (venue/Bar) one of the most haunted place apparently. A little accoustic act on Wednesday.
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Wed, doesn’t turn much up except the usual Beale St fare, but Tommy who plays in Jack’s band sometimes has his own band which is playing so I head out to see them, take my bass and get an invite up to play a bit with them.

It’s a great mixture of more rocky blues, and they play to the crowd @ the Split Creek Bar & Grill. I also get cracked onto by one of the local cougars, we teach each other to pronounce local words in our accents, but she is gradually dragged away by one of her usuals.. ha ha
Thurs I get up late, and sign off for no room housekeeping, and just take it easy for the morning, I cafe at The Edge, and do some social media, hang around and have a lighter day. Thurs is full jam night and 2 jams and definitely a later night so try to conserve my energy.  I head to Stage Stop Blues Jam, one of the longest running music venues and jams in Memphis. The place is adorned with 40 years worth of signed cymbals, articles, memorabilia… so much history.  The owners have been supporting live music for a long time.
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I play with a couple of lineups, and seem to have worked my way into the scene nicely, and get to stay up a bit longer. Play with one new drummer I hadn’t seen before, and we work up some great tweaks in some songs, we messed around a lot up the back.  He chatted later and loved having a responsive bassplayer.

There’s some other great sessions that night, and one of them is Chick ( <— pictured singing here) he’s a great charismatic old schooler, and keeps the band on their toes. Fun Jam night.  I am also getting a good reputation here as a jammer ha ha.
I stay for most of the night, but then ditch over to Jack Rowell Jnr’s Invitational @ Neil’s Bar & Grill.  It’s a top quality night and the players are phenomenal.  There’s a couple of players from other nights, and guests on vocals.

​They pull out some great solid, spicy songs and jams, and the player swap around here and there. I have a great night there.  The Blues is alive and well in Memphis, all sorts from the traditional to the rockin’ electric, there is lots of depth in the characters and players in the scene.
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Friday, another late start and nice easy brunch, then into the day, I head back to the Museum Of Civil Rights down on South Main St, The Lorraine Motel, I think its strange that the museum is at a motel (it looks like an old school edge of town sort of motel), but then I realise it IS the motel where Dr Martin Luther King was assasinated...

In the picture, the wreath on the balcony was where he was standing when he was struck down by the bullet. The town cars in the foreground are ones that were there. The motel after that fact eventually went out of business, from bad publicity, but then was restored and the whole motel has been turned into the civil rights museum.
It’s momentus to be standing in such places, and it brings all the details of dividing things I have seen on this trip, into focus. America is indeed a strange place, with a lot of issues and history that affect everyday life today. Luckily I get distracted from the heavy topic of the racial divide here, and I see a stage being prepped at the little park in front of the museum.  Tracey is talking to people, then goes and sits on the grass, she looks friendly, so a walk over and asked her about the music, and then sit with her for a while chatting about music, and issues etc.  It turns out this is last concert in a series every friday for all this month for Civil Rights activation. People gradually roll in with their lawn chairs, and setup in the park, all up the sides and the concert starts at 6pm with speeches and some spoken word poetry.
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The music starts and it’s Karen Brown with an all-star lineup of RnB/soul band. They are funky and play a lot of song the crowd knows (and sings along to), but I have never heard before.  It’s pretty amazing to be sitting in front of the Lorraine Motel and hearing a celebration of Civil Rights concert surrounded by people just enjoying themselves.
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Strangely like a lot of things I have come across, I am but one of about 50 non-black people in the entire crowd. It is unnerving what the details of daily living in America are doing to my opinions of racial issues. I catch a set of music but as they break I head off to a swing dance lesson just half a block away, as that was my reason for coming to the South Main area.

​I get to the lesson, but even though it looked really good online, and very promoted by a local dance crew Red Hot Swing, it is very sad… one old male teacher, and 2 couples that have walked in off the street. I stay, order 2for1 margaritas as it’s happy hour, to get me through this.  Another guy from the local crew shows up, a steps in as a follow.  I am used to this, as most dance circles have same sex couples here and there, and usually if its it a rotating class you end up dancing with the the guys too. But it is funny in this situation where the tourist guys find themselves not dancing with their girl but with this other guy ha ha.
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It’s a lame lesson, but the guy who took up following mentions there is a rock n roll/rockabilly band playing down on Beale st that could be good and might get some dancers there.  I take down the details and say I have a look later. I bail on the lesson straight after and head back to the Civil Rights Concert.  Watch it until the end. Great groovy concert.

I head out to Beal St to find this gig, but can’t.  I end up in loose Handy Park in the middle of Beale St, where wild bands and locals and tourists mix.
Just as it’s starting to get a little hairy, Someone calls my name! I look around and it’s Chick from the Stage Stop Jam, he says he used to own this park and street… but he talks him AND me onto the park stage from the band there, so I guess he must have… we jam up a storm in Handy Park. Chick also mentions he has a late night gig @ Ernestine & Hazels Sat Night and invites me to come. Crazy night!  I end up at the taco window on the edge of the park, chatting to Roland from Ghana.  I get 2 Tacos from him and we chat about music and travel, he likes that I am a straight shooter from Australia.  I still haven’t found this Rockabilly band, so I send msg to Red Hot Swing, to see if I can get more details.
I wander up and down the strip and finally hear the band, The Highjivers in The Blues City Cafe.  I get in and they are great! some rock n roll-y stuff, some rockabilly but lots of songs that are danceable. Not many dancers by the looks but by the time I get a beer and squeeze up to the front I find the guy from the lesson, with a few dancers.

I end up having a great dance with one of the gals, they are all very RocknRoll/Swing chicks, then I get up with one of the larger girls, she is a great dancer, but then the song is super slow. But we just flow with it, and have a super sexy blues-style dance that lights the dancefloor up. I can see lots of the sitting crowd admiring, and wanting to be able to dance ha ha. I think the Leo in me got plenty of kudos that night. I really loved that dance with her.
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The Highjivers are also a great band, playing in Memphis, but they are mostly from Nashville (just 3hours up the road), the singer has an amazing husky whiskey soaked voice, and she knows how to work the stage, very vivacious. The band is solid too, and the guitarist is one of the most electrifying rockabilly guitarists I have ever seen. What a crazy great night! I dance later with some other ladies who are not swing dancers, but really enjoy movement and dancing with someone who can actually lead. fun fUN FUN!  Later I head back to Handy Park for another Taco.
I hang while I eat, and chat, people and clients come and go, Roland intimates to me that he doesn’t like a lot of the American black people, especially the lazy ones that hang around Handy Park. It’s a slap for me, but it’s a reality, Roland is a black guy from Ghana, has travelled all over the world to escape things and create opportunity, he speaks Ghanian, English and Italian (as he lived in Italy for 8 years), he is supporting 5 kids, and they are in or heading to University.  He is doesn’t like a lot of the attitude of black American’s who hang around. He’s seen a lot, and has worked his job here for years, so I believe him. We have great chats about travel and music and things in general. I thank him for his hospitality!
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Saturday I get cultured and find a play that sounds very interesting, at Hatiloo, the only Black repertory Theatre in the Surrounding 5 states. I see “Fetch Clay, Make Man” a play based upon the meeting of Muhammad Ali (Cassius Clay) and Stepin Fetchit (the first hollywood black actor to become millionaire).  "Inspired by their actual friendship, the play explores how each dealt with the pressure of being a Black public figure trying to shape his identity in the face of outside forces.  This intriguing play, about the meeting between two men who achieved renown during different eras in the thorny history of race in America has more rounds of combat than an epic prize fight. - New York Times"
It’s really great to see some theatre whilst overseas, and this small but powerful play has some really great moments. The acting from all the actors is a great standard, and the writing is strong, but also not overly forced, and is a very balanced entertaining piece that delves into the political without being overly preachy. There’s a couple of moments that really hit me.

​The Cast of Fetch Clay, Make Man —>
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Last week when I was in Memphis, at DKDC lots of people were mentioning Goner Fest, so on this Saturday I make it to Goner Record’s Once a year International Invitational Music Festival.  It’s held over several venues and I get to Murphy’s Bar after the play finishes, and catch some wild indie jangle and sonic rock… what are the kids listening to these days?  What can I say Goner Fest is not really my style, but it’s certainly entertaining.  I watch bands from all over the place, the states and overseas (Australia even has a contingent at the fest) and it’s a mess of impassioned musics that are quite good to see.
A bunch of sweaty friends, in an indoor venue, and a larger outdoor stage with a backyard-feel party surrounded by a ring of merch tables of all independent bands, and a keg party all rolled into one.  It’s absolutely glorious! I think that Tim Ireland from one of my old bands would love this line up.  I stay at Goner fest all arvo/evening until I have to find some food.
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I check my list and one of the other places that is on it and is nearby is "BBQ Shop", finally have some good ol’ Memphis BBQ!.. the diet of the American’s is piling on a few kilos, but hey I can adjust back when I am home.  I don’t think I have ever eaten so much meat in my life.  I remember that Chick’s gig is on at Ernestine And Hazels and head over the South Main and take my bass.
It’s fun to see E&H’s in it’s late night mode. It’s a rather ramshackled gig, and Chick is doing his thang, getting in amongst the crowd, singing to the ladies, getting people to dance, and surprising people left right and centre.

I get up later with another harmonica player, but it’s a chaotic and the rocky guitarist is not much of a jammer… it’s just blues! but we get through a few, and the drummer says to me that we should get onto some funkier stuff later, I think he senses where I am coming from.
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I hang with the band in the break, and sit in the drummers car as he smokes a jay.  We hear gunshots, which sound around the corner and about a block or two away… nobody even flinches. ha ha Memphis how I love you!  Eventually I am too tired, and leave after the next set, the band still has one more to go. They play from 11.30pm - 3am in the morning…! so toughen up Australian musicians, in Memphis the gigs are gunned down and late…  ha ha.
Sunday, and another couple of weeks finally catches up with me.  I decide to have a day off, and just stay in the hotel, watch movies and documentaries from bed, and then order a delivered pizza. It was a great day!
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Monday I had decided it was time to move on, to Chicago, but the Sun Studios recording hadn’t really happened. I went to The Edge for a good morning Coffee and brekky after checkout, and decide to just check my emails to make sure. Nothing. Ok its just up the road, so I head there in one last ditch effort to see what’s going on.  All my muso friends from before are there, and after chatting for a minute, in walks Ples the Head Sound Engineer, he has been away, and also working on several projects at once, and has a session tonight! so hasn’t been following up the little project leads.. ha ha but they are really cool, and he is still interested, just too swamped. 
No time tonight, and last night they did a really late night session with Ike “Ronnie" Turner Jnr, apparently a grammy award winner. ha so it’s pretty tumultuous place. They are recording a session with this rockabilly singer from England that night, but Ples asks me if I want to stay for the session. So I do. and we discuss recording on Tuesday night.  I book accommodation for 2 more nights. They record a few songs old school style, session musos, pretty much live in the studio and the session musos learn the songs there that night!  But they turn out great! I take a couple of photos, and the history of the place is getting hotted up.  They set it up very similar to how it was always set up for recording, & the singer stands literally on the x mark where Elvis, BB King, & Roy Orbison would have stood.
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One of the gals, Tiffany, who works as a tour guide also runs an open mic down at P&H, which is a venue on my list, so I decide after a while to leave them to their session, and head down to her open mic.  It is is a really typical Mon open mic, in a classic dive bar with heaps of history.  The tables are scrawled with words of wisdom, and not… So I throw it out there that I am available to play with anyone.  I end up jamming with 3 people throughout the night including, Tiffany (she does a few in the middle of the night), Pigs In Space and St John. It’s a hillarious night, of weird and wonderful, but have at least one good jam song with each of these three.
I spend tues morning setting up some stuff for the recording on my laptop for transferring files, and just practicing the bits I want to do. It’s just a little bit exciting to be recording @ Sun Studios! Ples also offered on monday, seeing that I am hanging around longer than I was going to, to take me on a tour of Ardent Studios (which is the massive studio in Memphis, his dad worked there as an engineer for 40 years, and Ples grew up as a kid around the studio) Ardent started in the 50s but throughout the years recorded bands like: Led Zeppelin, James Taylor, Stax artists including Isaac Hayes, Sam and Dave, the Staple Singers, the Bar-Kays and Booker T. and the MGs, later ZZ Top, Freddie King, Cheap Trick, Joe Cocker, and the new crop being the Replacements, R.E.M., the Georgia Satellites, the Gin Blossoms, the Afghan Whigs.  Finally the new school also entered into recording there: Three 6 Mafia, Juvenile, Al Kapone, Cat Power, the White Stripes, Bob Dylan.  We had a good look around and chatted to the current crop of producers and engineers. Great to see the place!
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Then it’s my turn to lay something down in Sun Studios! too much fun. I arrive a bit early, and hang out with the tour crew, as they are always in the front cafe, great chats again, and the last tours are ending for the day.

I hear aussie accents, and low and behold a small group of band looking dudes are buying merch, and talking bout their tour.  They tell the staff they are the touring band with Paul Kelly…!!! ha ha the staff don’t flinch… they don’t even know who Paul Kelly is. ha ha  I say sideways from across the room in my most australian accent…”Err he’s kind of a award winning, living legend in Australia!” everyone laughs.
Anyway Ples and staff are a bit busy, but he says “Oh well do you want to see the control room?” (the control room area is not on the tour), he looks to me and goes “Tim you know the space do you want to show them the control room”… err yep! life can be pretty bizarre at times, but you know it IS when you are giving a guided tour of the off limits control room to Sun Studios in Memphis to Paul Kelly’s Band… truly a moment in my history. Anyway we invite them to stay for a while, while we are setting up for my recording session, and I give them the low down on my trip and this session. They have some time to kill before a flight late tonight, so there is talk of them laying down something on the track. Anyway here’s my bass, in Sun Studios, with all the history and U2’s Larry Mullen's drum kit from the Rattle & Hum album —>
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We try a few different things for mic-ing, and eventually have a 4 track setup just for the bass, DI - Direct Injection box, New D112 bass mic, and an old larger ribbon mic, and then retro large diaphram condensor room mic which is set up in a far corner facing away, which gives us a tonal sound that is specific to Sun and its room.  The amount of variance this ends up giving me with sounds is pretty crazy for mix later. Sort out a few things, play a few practices, and then lay down a couple of version of the song and lines that are used in it. Great session. 
Ples loves the idea of my project and its completely different to most of the stuff they get to do as people usually come in trying to emulate the history (like the Rockabilly dude). Anyway it’s a great session, and I promise to send Ples a copy of the track once I have everything done and mixed. Some of Paul Kellys band need to sleep, but Ash (who turns out to be the dude from EVEN the band from the 90s) ends up playing drums for the assistant engineer from Sun who has a gig that night. After my session I head out to that gig @ Growlers which is also on my list.
I take a pic and some video of the gig, and chat with Ash, he’s normally a guitarist, but he also play drums (quite well I might add).  They do a heap of numbers, and then we have a few beers, eventually Ash has to go, and I do to so I give him a lift back to Memphis CBD where they are staying. We chat about a whole lot of other music-y things and the state of the industry and how we all fit into it, and the random-ness of this whole encounter, ha ha

I later email him this pic and the video of them playing, as he wants a copy.
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Well and that finally brings to a close my Memphis adventure, WOW what a week, it was totally a great choice to spend less time in Nashville, and more time in Memphis as this place has way more soul. So next day I pack up my stuff, my new USB and backup of recordings from Sun Studios, and head on down the track to St Louis on my way to Chicago.

I don’t know what to expect, as it’s one of the only destinations that I haven’t been able to start a insider’s list for… I cross the Mississippi again into Arkansas, and then eventually into Missouri. I have now been to 6 American states.. and I will cross a few more before this is over.
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    The USA/Canada Musical Trip

    Part 1 - The Start & The New Orleans Explosion
    Part 2 - New Orleans wk1
    Part 3 - New Orleans wk2
    Part 4 - New Orleans wk3
    Part 5 - San Marcos
    Part 6 - Austin, Blues Trail to Memphis
    Part 7 - Memphis, Nashville Memphis Baby!
    Part 8 - Tupelo to Memphis
    Part 9 - St Louis to Chicago
    Part 10 - Detroit
    Part 11 - Toronto to Montreal
    Part 12 - Boston to New York

    Author - Tim Dennis

    Raises one eyebrow, Music & playing music, Lighting, Video content, Workshops& Digital, Swing dancing

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